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Lorna Hardwick

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Lorna Hardwick is professor emerita of classical studies at the Open University.[1] She is a leading authority on classical reception studies and has published several books and articles on the subject, as well being the first editor of the Classical Receptions Journal.

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Career

In addition to teaching at the Open University, Hardwick has taught at University College London.[2] Hardwick's publications in the field of classical reception include Translating Words, Translating Cultures (2000) and New Surveys in the Classics: Reception Studies (2003) as well as a number of articles on drama and poetry.[1] She has a particular interest in the impact of various kinds of translation and adaptation on modern perceptions of Greece and Rome and in the reworking of classical material in post-colonial contexts (publications).[1]

From 2000 to 2005, Hardwick was subject director for classics and ancient history in the Higher Education Academy Subject Centre for History, Classics and Archaeology.[1] From 2005 to 2007 she served as president of the Joint Association of Classical Teachers.[1]

She is the editor of the Classical Receptions Journal[3] and co-series editor of 'The Classical Presences series' published by Oxford University Press.[4]

In 2014, she was a signatory in an open letter published in The Guardian expressing concern at the Open University's closure of regional offices.[5]

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Select bibliography

  • Rome in the Late Republic (with Michael Crawford, 1985, revised 1999); ISBN 0-7156-2928-X
  • For 'Anyone who wishes': classical studies in the Open University, 1971-2002 (in The Teaching of Classics ed. James Morwood, Cambridge University Press, 2003) ISBN 9780521527637
  • Translating words, Translating Cultures (Duckworth, 2004); ISBN 9780715629123
  • A Companion to Classical Receptions (with Christopher Stray, 2007) ISBN 9781405151672
  • Classics in Post-Colonial Worlds (with Carol Gillespie, 2007) ISBN 978-0-19-929610-1
  • ‘Voices of Trauma: Remaking Aeschylus in the Twentieth Century’, (in S. E. Constantinidis, ed., The Reception of Aeschylus’ Plays through Shifting Models and Frontiers)
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References

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