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Love on the Dole (film)

1941 film by John Baxter From Wikipedia, the free encyclopedia

Love on the Dole (film)
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Love on the Dole is a 1941 British drama film starring Deborah Kerr and Clifford Evans. It was adapted from the novel of the same name by Walter Greenwood.[1] It was the first English-made feature film to show English police wielding batons against a crowd.[2] It is the best known film of director John Baxter.[3]

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Plot

It is 1930, at the height of the Great Depression. The Hardcastle family live in Hankey Park, part of Salford. Mr Hardcastle is a coalminer; his son, Harry, is an apprentice at a local engineering firm and Sally, his daughter, works at a cotton mill.

Mr Hardcastle's mine is put on a three-day week.

Harry wins £22 on his winning thruppence treble bet. Bookmaker Sam Grundy pays up without any trouble. At his father's suggestion, he takes his girlfriend Helen to the seaside resort of Blackpool on a holiday.

Harry becomes unemployed when his apprenticeship ends. The family’s plight is made worse by reductions in means tested unemployment benefits (the dole), whilst Helen's unexpected pregnancy causes further tensions.

Sally is courted by factory worker and Labour Party activist Larry Meath but their marriage plans are put in doubt when Larry loses his job. Larry is fatally injured when he tries to restore calm in a clash with the police during an unemployment march. Sally reluctantly becomes Grundy's mistress to help keep her unemployed family.

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Cast

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Production

The film was based on a book that was turned into a popular play.

Although the book was successful, a proposed film version was rejected by the British Board of Film Censors (BBFC) in 1936 as it was a "very sordid story in very sordid surroundings".[4] However, in 1940 the BBFC approved a similar proposal, with the film finally released in June 1941.[5]

Jessie Matthews auditioned to play the role of Sally. John Baxter said she was good but he wanted an unknown to play the role out of fear a star would unbaance the movie.[6]

Filming finished by February 1941.[7]

Reception

In a contemporary review, The Monthly Film Bulletin wrote, "Here is a film that ranks with the best we have ever produced. The direction is excellent, the photography admirable, and the casting particularly good."[8]

Variety called it "excellent".[9]

Deborah Kerr later said "It was an excellent book and an excellent play, and I think they made a very good movie from it. ’ Strangely enough, it was much more appreciated in America than in Britain."[10]

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References

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