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Luis Alarcón

Chilean actor (1929–2023) From Wikipedia, the free encyclopedia

Luis Alarcón
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In this Spanish name, the first or paternal surname is Alarcón and the second or maternal family name is Mansilla.

Luis Alfonso Alarcón Mansilla (23 October 1929 – 4 August 2023), popularly known as Lucho Alarcón, was a Chilean actor, theatre director, and activist with a distinguished film, television, and stage career.[1]

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In 1957, Alarcón began working as a stage actor participating in university theaters – University of Chile [es], Catholic [es], Concepción, State Technical [es] – and in independent companies. He later began his career as a cinematic actor, appearing in emblematic films such as Three Sad Tigers, Jackal of Nahueltoro, The Expropriation, Julio comienza en julio, Nadie dijo nada, Little White Dove, Caluga o menta, and The Shipwrecked.

In the 1980s he had roles in several telenovelas, but gained attention in the press only in 1983 when he played the evil Roberto Betancourt in La represa [es]. In 1993, he was instrumental in the creation of ChileActores, of which he would become the founding President. Alarcón was labeled the "Sabatini Star Actor", referring to his many appearances in the spectacular productions of Vicente Sabatini on television, which were very successful due to their social content. In 1999, he co-starred in the telenovela La fiera [es], starring actress Claudia di Girolamo, which became a praised and awarded soap opera. From 1995 to 2008 he was part of the stable cast of Sabatini. Through the producer's success, Alarcón continued to work with important figures in cinema, theater, and television.

Alarcón also appeared in television series such as Marta a las ocho [es], Estúpido Cupido, Romané, La noche del cobarde [es], Marrón Glacé [es], Puertas adentro [es], Pampa Ilusión, El circo de las Montini [es], and El Señor de la Querencia.

Alarcón was the creator of the Patagonia Film Festival, a gala developed in the Cueva del Milodón.[2] Currently he is officially recognized as the actor with the longest career in Chilean cinema, occasionally collaborating with Raúl Ruiz, Helvio Soto, Miguel Littín, Emilio Gómez Muriel, and Silvio Caiozzi.[3]

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Life and career

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The grandson of actor and director Justo Alarcón, Luis loved the art of film from a very young age. In Puerto Natales, where he was born, he became friends with the daughter of the cinema administrator, and there he learned the trade. In addition, his father – who worked in a refrigerator – was an amateur documentary filmmaker.

There is no other performer in Chilean cinema who appeared, like Alarcón, in such a large number of films.[4] His origins as an actor, however, were in the theater, an activity that officially began (he had previously acted in school functions) in 1951, and he subsequently acted in around 90 theatrical pieces. He related that his vocation was defined after attending an exhibition of Death of a Salesman, by Arthur Miller. He studied Corporal Expression and Pantomime with Alejandro Jodorowsky, and with Enrique Gajardo and Pedro de la Barra at the Dramatic Arts Center of the Pedagogical Institute of the University of Chile, among others.

His first foray onto the big screen was made in the 1957 film Tres miradas a la calle by Naum Kramarenco [es].[5] Pedro Chaskel, who worked as assistant director on the film, would some years later become the director of Experimental Cinema at the University of Chile.

Alarcón participated in Luis Cornejo [es]'s first film, La Universidad en la Antarctica (1962), which he narrated. Later, along with much of his theater company, he starred in Raúl Ruiz's first feature film El tango del viudo (1967).[5] Rather than ending, the shoot led directly into the making of Three Sad Tigers (1968), considered one of the most important films of Chilean cinema.[6]

That same year he was summoned to join the experimental film team of the University of Chile, which produced his first feature film project called Jackal of Nahueltoro, based on real events in the San Carlos region, where an illiterate murders a whole family and later, after being educated in prison, is condemned to death. Alarcón would initially play a journalist, but he then became involved in the production of the film with Luis Cornejo himself. Jackal of Nahueltoro broke public attendance records, only surpassed by the television hit adapted to the big screen, Germán Becker's Ayúdeme usted compadre.[7]

Later, Luis Alarcón appeared in a large portion of Raúl Ruiz's films such as Nadie dijo nada (1970), The Penal Colony (1970), The Expropriation (1971), and Little White Dove (1973).

On television he has played emblematic characters on TVN's Dramatic Area series, such as Pedro Chamorro on La fiera, who at all costs wants to marry his eldest daughter, due to a promise made to his dying wife. He was also well known for his role as Roberto Betancourt on the television series La represa, a very evil and abusive landlord.

Alarcón was also known for his Indian character in advertising for the Firestone tire brand. For one such commercial, shot by director Silvio Caiozzi, Alarcón won a Golden Lion Award at the 1986 Cannes Film Festival.[8]

In 2017, he received the Golden Spike Award from the Institute of Higher Communication Studies for his outstanding artistic career in Chilean cinema.[9]

Luis Alarcón died on 4 August 2023, at the age of 93.[10]

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Filmography

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Television

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Awards and recognitions

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References

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