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Margaret Scoville
American composer of chamber, electronic and piano music From Wikipedia, the free encyclopedia
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Margaret Lee Scoville (3 May 1944 - 1978)[1] was an American composer of chamber, electronic and piano music.[2][3]
Scoville was born in Pasadena, California.[4] She studied music at the State University of New York, Buffalo, where she participated in the university’s Evenings for New Music[5] as a Creative Associate Graduate Fellow and composer.[6] Her teachers included Morton Feldman,[7] Ramon Fuller, Lejaren Hiller, and William Kothe.[8]
Scoville’s piano pieces were recorded by George Skipworth on LP EDUCO 3097.[8]
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Chamber
- Ephemerae (violin, two viola and cello)[8]
- Fading, Still Fading (flute, viola and piano)[1]
- Lament on the Death of Proposition 15 (two flutes and oboe)[1]
- Time Out of Mind (two percussion)[8]
Electronic
- Electric Sunday (magnetic tape)[8]
- Number 9 (tape)[8]
- Thirteen Ways of Looking at a Blackbird (chamber ensemble and tape)[8]
Piano
- Ostinato, Fantasy and Fugue[9]
- Pentacycle[8]
Vocal
- “Four Fragments from Empedocles” (soprano, flute and piano)[10]
References
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