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Marighella (film)

2019 film directed by Wagner Moura From Wikipedia, the free encyclopedia

Marighella (film)
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Marighella is a 2019 Brazilian biographical political thriller film directed by Wagner Moura, based on the life of Carlos Marighella, a Brazilian politician, writer, and Marxist–Leninist guerrilla fighter[1][2] accused of engaging in terrorist acts against the Brazilian military dictatorship.[3][4][5][6][7][8][9][10][11] The film was adapted from the biography Marighella - O Guerrilheiro que Incendiou o Mundo (Marighella - The Guerrilla Who Lit the World on Fire), by Mário Magalhães. It is Moura's directorial debut.[12]

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Seu Jorge plays Carlos Marighella. The film also features Adriana Esteves, Bruno Gagliasso and Humberto Carrão.[13]

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Cast

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Reception

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Marighella debuted at the 69th Berlin International Film Festival on February 14, 2019, but did not compete for the Golden Bear Award.[14]

The film received generally positive reviews from critics. As of July 2025, 89% of the nine reviews compiled by Rotten Tomatoes are positive, with an average rating of 7.3/10.[15] The film has also attracted social and political controversies. Stephen Dalton, writing for The Hollywood Reporter, observed that Moura presents Marighella as a martyr for liberal values even though the real Marighella was a self-proclaimed far-left Marxist.[16] Marighella's ethnicity was also debated. He is portrayed as black in the film and played by a black actor. Many critics noted, however, that Marighella was actually mixed-race (his father was an Italian immigrant).[17] Moura responded that "there's no way to discuss any social issue in Brazil without talking about racial issues. For me, Marighella had to be black."[17]

The movie was subject to politicized ratings on IMDb, leading the website to note that "unusual voting activity [had been detected]... An alternate weighting calculation has been applied."[18] In 2022, IMDb offers an aggregate 6.6 (out of 10) ranking. Conservative digital activists low-ranked the film, which was countered by progressive activists and artists aligned with Moura offering high scores;[19][20] in 2022, 95% of the film's rankings are at the extreme of 1 or 10. This distribution suggests that the majority of evaluations were based on ideology rather than cinematic quality; IMDb removed the activists' "critiques."[21]

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References

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