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Marlene Dumas

South African artist (born 1953) From Wikipedia, the free encyclopedia

Marlene Dumas
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Marlene Dumas (born 3 August 1953) is a South African artist and painter based in the Netherlands.[3][4]

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Early life and education

Dumas was born in 1953 in Cape Town, South Africa and grew up in Kuils River in the Western Cape, where her father had a vineyard.[5][1] Dumas witnessed the system of apartheid during her childhood.

Dumas studied art at the University of Cape Town from 1972 to 1975, and then at Ateliers '63 in Haarlem, which is now located in Amsterdam.[6] She studied psychology at the University of Amsterdam in 1979 and 1980.[3] She holds degrees from the University of Cape Town, from Ateliers '63 in Haarlem, and the Institute of Psychology, University of Amsterdam.[7]

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Work

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Dumas began painting in 1973 and showed her political concerns and reflections on her identity as a white woman of Afrikaans descent in South Africa.[8][9]

Dumas often uses reference material of polaroid photographs of her friends and lovers, whilst she also references magazines and pornographic material. She also paints portraits of children and erotic scenes to impact the world of contemporary art. She has said that her works are better appreciated as originals since many of her smaller sexual works are very intimate.[10] With many of her paintings she depicts her friends, models, and prominent political figures.[11]

Dumas's paintings are seen as portraits but they do not represent people but an emotional state that one could be in. Her art focuses on more serious issues and themes such as sexuality and race, guilt and innocence, violence and tenderness.[12] Dumas style is more in the older Romanticism tradition. She uses loose brushstrokes to add distortion but also great detail to her art.[13] Dumas likes to use a wet-on-wet technique that combines thin layers of paint with thick ones.[14] Her media of choice is oil on canvas and ink on paper. Her subjects range from newborn babies, models, strippers, and many figures from popular culture.[15]

In 2015-2016, Dumas contributed illustrations for Hafid Bouazza's book of Dutch translations of Venus and Adonis, one of Shakespeare’s earliest works.[16]

Her work was included in the 2022 exhibition Women Painting Women at the Modern Art Museum of Fort Worth.[17]

Dumas taught at the Academie voor Beeldende Vorming (ABV) in Tilburg, Academie voor Kunst en Industrie (AKI) in Enschede, Rijksakademie Van Beeldende Kunsten in Amsterdam, and De Ateliers in Amsterdam (Tutorials and Coaching).[18]

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Collections

Dumas' work is in the collections of the Museum of Modern Art[19] and Dordrechts Museum.[20]

Recognition

Dumas was awarded an honorary degree from the University of Antwerp.

Art market

Dumas has been represented by David Zwirner Gallery since 2008.[21]

The 2004 sale of Dumas's Jule-die Vrou (1985), positioned her as one of three living female artists to trade for over $1 million.[22] The sale of The Schoolboys (1986–87) reached $9 million at Art Basel Miami Beach 2023, replacing the high of $6.3 million for her work The Visitor (1995) in 2008.[23]

In May 2025, Dumas's painting Miss January (1997) — a portrait of a blonde woman nude from the waist down — sold for $13.6 million at a Christie's auction, which set a new record for a living female artist.[24][25][26]

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Dumas has been featured in some films, Miss Interpreted (1997), Alice Neel (2007), Kentridge and Dumas in Conversation (2009), The Future is Now! (2011), and Screwed (2017). Several books included illustrations by Dumas,- Marlene Dumas: Myths and Mortals, Venus and Adonis, David Zwirner: 25 Years, Marlene Dumas: Against the Wall, Marlene Dumas: Sweet Nothings, Marlene Dumas: The Image as Burden, Marlene Dumas: Measuring Your Own Grave, Experiments with Truth: Gandhi and Images of Violence.[27]

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Personal life

Dumas currently lives and works in the Netherlands and is one of the country's most prolific artists.[28] She is in relationship with Jan Andriesse and has a daughter.[29]

References

Further reading

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