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Martin Roth (artist)
Austrian artist (1977–2019) From Wikipedia, the free encyclopedia
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Martin Roth (October 2, 1977 in Graz – June 14, 2019 in New York City[1]) was an Austrian artist living and working in New York City, USA after earning a master's degree from Hunter College in 2011. He was married to Josephine Nash,[2] the director of Mitchell-Innes & Nash gallery.
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Much of Roth's work revolved around the introduction of living organisms into a setting or situation circumscribed by the artist. He used living organisms as a stand in for humans, to show that they're also characters caught in conditions where they don't have control."[3][4][5][4] His work, while frequently ephemeral or temporary,[4] is saturated in space.[6][5] On one level, there is the physical dimension of spaces large,[7] and small: from the quaint miniature landscapes or rocks and plants inside glass cages,[4][8] housing lizards[9] or mice[10] to the compact grid of a lavender field[11][12][13][14] shaped by the artist's arrangement in a white cube; from the beautiful patterned garden of Persian rugs sprouting verdant grass,[3][12][15] or the tepid lagoon created by flooding a gallery space,[6][16][17] to the thrust of a cherry sapling through a laminate surface,[4][18] demonstrating the interplay between an exposed space above and subterranean space[19][20] below that characterizes several of Roth's installations.[7] These physical settings often interweave with or generate acoustic spaces[21][22][17] to create the conditions for – and are, in turn, shaped by – the natural organism that inhabit them.[4][16] His work can be large-scale and particular to a site,[4][11][10] the fact that it requires the nurture[23] of living organisms[4][14] renders it strangely intimate and invites the viewer if not to engage directly,[24][17] at least to consider his or her relationship to the work on a human scale.[25][4] Roth interrogated the increasingly blurry line between human and nonhuman systems.[26]
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