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Meat Puppets II
1984 studio album by Meat Puppets From Wikipedia, the free encyclopedia
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Meat Puppets II is the second album by the Phoenix, Arizona, band the Meat Puppets, released in 1984 by SST Records.
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Background
The album artwork was created by Curt Kirkwood and Neal Holliday.[5]
Rykodisc reissued the album in 1999 with extra tracks and B-sides, including a cover of the Rolling Stones's Aftermath-era track "What To Do."
Music
The Chicago Reader described the sound on II as an '"inchoate blur".[6] Music journalist Andrew Earles described the album as a "country-roots-punk-hardcore album" and noted the apparent influence of ZZ Top and "other masters of fried '70s boogie".[7] II is a departure from the Meat Puppets' first album, which largely consisted of noise-filled hardcore punk with unintelligible vocals. In addition to hardcore and punk rock, the group's second album encompasses a wide assortment of styles including country rock, ballads, and psychedelia.
Louis Pattison of Pitchfork assessed: "If Meat Puppets' self-titled debut—a bristly fusion of hardcore thrash and Beefheart weirdness—could pass for a punk record, II was very much on its own trip. Its outsider Americana took in Grateful Dead-style jamming, fearsome pulpit sermons, and peyote-addled surrealism. Cowpunk thrashes like 'Split Myself in Two' and 'New Gods' suggested the trio hadn't entirely outgrown its hardcore roots, but the moments that linger are the pretty ones, like the shimmering guitar instrumental 'Aurora Borealis,' a beautiful acid trip amid the cacti."[4]
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Reception
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Kurt Loder, in an April 1984 review in Rolling Stone, described Meat Puppets II as "one of the funniest and most enjoyable albums" of the year, as he thought the band had developed "beyond head-banging" to become "a kind of cultural trash compacter", blending "hard-core flip-outs" with "a bit of the Byrds ... Hendrix-style guitar ... and ... Blonde on Blonde–style wordsmithing."[14] In his review for The Village Voice, Robert Christgau wrote that Curt Kirkwood had combined "the amateur and the avant-garde with a homely appeal," which resulted in a "calmly demented country music" in a "psychedelic" vein.[17] Robert Hilburn commented in the Los Angeles Times that the Meat Puppets are "far more of an acquired promising though willfully unfocused rock act."[11]
In a retrospective review for Pitchfork, Matthew Blackwell called Meat Puppets II "a sun-baked, country-fried, acid-addled cowpunk album that could have come from nowhere else but the Arizona desert."[13]
Legacy and impact
The album was number 94 on Pitchfork's "Best Albums of the 1980s."[18] Slant Magazine listed the album at number 91 on its list of "Best Albums of the 1980s."[19]
The Meat Puppets performed the album live in its entirety at the All Tomorrow's Parties festival in Monticello, New York, in 2008 as part of the ATP Don't Look Back season,[20] and again in December, 2008, at a performance in London.[21]
The Meat Puppets' SST labelmates Minutemen covered "Lost" on the live EP Tour-Spiel and their last studio album, 3-Way Tie (For Last).
Three of the album's songs were covered by Nirvana as part of their 1993 performance for MTV Unplugged, which was later released as the Nirvana album MTV Unplugged In New York. Curt Kirkwood and Cris Kirkwood of Meat Puppets joined Nirvana onstage for renditions of "Plateau", "Oh, Me", and "Lake of Fire".[22]
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Track listing
All tracks are written by Curt Kirkwood, unless otherwise noted.
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Personnel
Meat Puppets
- Curt Kirkwood – guitar, vocals
- Cris Kirkwood – bass, vocals
- Derrick Bostrom – drums
Technical
- Spot – engineer
- Curt Kirkwood, Neal Holliday – cover artwork
References
External links
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