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Meghann Riepenhoff
American photographer From Wikipedia, the free encyclopedia
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Meghann Riepenhoff (born 1979)[1] is an American photographer, living in Bainbridge Island, Washington, and San Francisco, California, who makes camera-less cyanotypes.[2][3] She has produced the books Littoral Drift + Ecotone (2018) and Ice (2022). Her work is held in the collections of the High Museum of Art and San Francisco Museum of Modern Art and in 2018 she received a Guggenheim Fellowship.[1][4][5]
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Life and work
Riepenhoff is from Atlanta, GA. She received a BFA in photography from the University of Georgia, and an MFA from San Francisco Art Institute.[2] She lives in Bainbridge Island, Washington, and San Francisco, California.[2]
She makes camera-less cyanotypes in collaboration with the landscape and the ocean.[6] "Riepenhoff utilises waves, rain, wind and sediment in her process, creating physical inscriptions through the direct contact of these natural phenomena with her photographic materials".[7]
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Publications
- Littoral Drift + Ecotone. Santa Fe, New Mexico: Radius; New York City: Yossi Milo, 2018. ISBN 9781942185468.[8][9]
- Ice. Santa Fe, New Mexico: Radius; New York City: Yossi Milo, 2022. Photography by Riepenhoff, text by Rebecca Solnit. ISBN 9781942185864.[10]
Group exhibitions
- Cyanotypes: Photography's Blue Period, Worcester Art Museum, Worcester, MA, 2016[11]
- New Territory: Landscape Photography Today, Denver Art Museum, Denver, CO, 2018[12]
Awards
Collections
Riepenhoff's work is held in the following permanent collections:
- High Museum of Art, New York: 2 prints (as of 14 March 2023)[4]
- San Francisco Museum of Modern Art, San Francisco, CA: 1 print (as of 14 March 2023)[1]
- Worcester Art Museum, Worcester, MA: 1 print (as of 14 March 2023)[13]
See also
References
External links
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