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Melissa Lucashenko
Indigenous Australian writer From Wikipedia, the free encyclopedia
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Melissa Lucashenko is an Indigenous Australian writer of adult literary fiction and literary non-fiction, who has also written novels for teenagers.
In 2013 at the Walkley Awards, she won the "Feature Writing Long (over 4000 words) Award" for her piece Sinking Below Sight: Down and Out in Brisbane and Logan. In 2019, she won the Miles Franklin Award for Too Much Lip.[1]
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Early life and education
Melissa Lucashenko was born in 1967 in Brisbane, Australia. Her heritage is Bundjalung and European (Ukrainian).[2][3] She is a graduate of Griffith University (1990), with an honours degree in public policy.[4][5]
In 1992, she was a founding member of Sisters Inside, an organisation which supports women and girls in prison.[6][7]
Writing career
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Perspective
She has said that when she began writing seriously "there was still a glaring hole in Australian literature", with almost no prominent Aboriginal voices and with only the University of Queensland Press and a few other small outlets publishing the work of Aboriginal writers.[8] When asked whether she considers herself primarily a writer, or an Aboriginal writer, she writes that the question runs into semantic difficulties, because the word means different things to different people.[8]
Early work
Lucashenko's first work to be published was the novel Steam Pigs (1997), which won the Dobbie Literary Award for Australian women's fiction. It was also a short-list nominee for the NSW Premier's Literary Awards and the regional Commonwealth Writers' Prize.[5]
In 1998, she released the novel Killing Darcy, which won the Royal Blind Society's Talking Book Award for young readers[9] (also referred to as the Aurora Prize in several secondary sources[10]).[a] It was also a finalist for the 1998 Aurealis Award for Best Young Adult Novel and named on the 1998 James Tiptree, Jr. Memorial Award longlist.[11][12]
In 1999 her third novel, Hard Yards was published and was a finalist in both the 1999 NSW Premier's Literary Awards and the 2001 Courier-Mail Book of the Year. In 2002 her fourth novel Too Flash, written for young adults, was published.
Critical success
Lucashenko's fifth novel, Mullumbimby, won the prestigious Deloitte Fiction Book Award in 2013[5] and the Victorian Premier's Literary Award for Indigenous Writing in 2014, as well as being nominated for several other awards. In 2015 it was longlisted for the International Dublin Literary Award.[13]
In 2019 her sixth novel Too Much Lip won the Miles Franklin Award[14] and Queensland Premier's Award. The novel was also shortlisted for the Stella Prize.[15][16][17] Judges called it "...a fearless, searing and unvarnished portrait of generational trauma cut through with acerbic humour."[6] Cenozoic Pictures optioned Too Much Lip for a screen adaptation, with Lucashenko as a co-writer and co-creator alongside Cenozoic's Veronica Gleeson.[18]
Edenglassie, a seventh novel released in 2023, won her the Queensland Premier's Award for a second time,[19] as well as the Victorian Premier's Literary Award.[20] In late 2024, she won the ARA Historical Novel Prize, commended for capturing "the brutal realities of colonisation while celebrating the resilience of Indigenous cultures".[21]
Non-fiction writing
Lucashenko is also an accomplished essayist, winning the 2013 "Feature Writing Long (over 4000 words)" Walkley Award for Sinking below sight: Down and out in Brisbane and Logan. Speaking about this essay, Lucashenko said that she was partly informed by her studies in public policy: "...one thing I was trying to bring out in the piece was the odd mix of structural factors and just sheer luck, good and bad, that makes up people's lives. All of these women are poor because of the violence and because of intergenerational poverty, and those things can be attacked in policy and should be attacked in policy.".[22]
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Personal life and family
In March 2014, The Moth Radio Hour aired a recording of Lucashenko recounting the story of moving with her husband and daughter back to the Aboriginal lands in New South Wales (where her great-grandmother grew up), and subsequent divorce from her husband and mental illness of her daughter.[23]
Nominations and awards
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Bibliography
Novels
- —— (1997). Steam Pigs. University of Queensland Press. ISBN 9780702229350.
- —— (1999). Hard Yards. University of Queensland Press. ISBN 9780702230806.
- —— (2002). Uptown Girl. University of Queensland Press. ISBN 9780702233340.
- —— (2013). Mullumbimby. University of Queensland Press. ISBN 9780702239199.
- —— (2018). Too Much Lip. University of Queensland Press. ISBN 9780702259968.
- —— (2023). Edenglassie. University of Queensland Press. ISBN 9780702266126.
YA Novels
- —— (1998). Killing Darcy. University of Queensland Press. ISBN 9780702230417.
- —— (2002). Too Flash. IAD Press. ISBN 9781864650488.
Essays
- ——. "I'm Not Racist, but." (PDF). self-published.
- ——. "Who Let the Dogs Out?" (PDF). self-published.
- —— (2004). "Not Quite White in the Head". Griffith Review (edition 2: Dreams of Land).
- —— (2005). "Our Bodies". Griffith Review (edition 4: Making Perfect Bodies).
- —— (2005). "Globalisation, Kimberley Style". Griffith Review (edition 6: Our Global Face).
- —— (2007). "How Green Is My Valley?". Griffith Review (edition 12: Hot Air).
- —— (2009). "On the Same Page, Right?". Griffith Review (edition 26: Stories for Today).
- —— (2009). "The Silent Majority". Griffith Review (edition 26: Stories for Today).
- —— (2013). "Sinking Below Sight". Griffith Review (edition 41: Now We Are Ten).
- —— (2013). "History's Footnote, or, a Wolvi Incident". In Jane Caro (ed.). Destroying the Joint: Why Women Have to Change the World. University of Queensland Press. ISBN 9780702249907.
- —— (2020). "It's No Accident That Blak Australia Has Survived the Pandemic So Well. Survival Is What We Do". The Guardian.
List of all essays in Griffith Review
- "Melissa Lucashenko". Griffith Review.
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Footnotes
References
Further reading
External links
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