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Mexiscope
Mexican cinematic process From Wikipedia, the free encyclopedia
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Mexiscope was a cinematic process used in various Mexican film productions, specifically by Producciones Rosas Priego and Rosas Films, intended to widen the screen format. This process' color was provided by Eastmancolor.
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Films using Mexiscope
- Pulgarcito (1957), with Cesáreo Quezadas
- La guarida del buitre (1958), with Antonio Aguilar
- Los muertos no hablan (1958), with Antonio Aguilar and Flor Silvestre
- Tan bueno el giro como el colorado (1959), with Luis Aguilar, Demetrio González, Flor Silvestre, and Rosa de Castilla
- Yo... el aventurero (1959), with Antonio Aguilar and Rosa de Castilla
- Santa Claus (1959), with José Elías Moreno and Cesáreo Quezadas
- Música de ayer[1] (1959), with Ana María Olaria and Armando Calvo
- Cielo Rojo (1962), with Rodolfo de Anda and Patricia Conde
- Sol en llamas (1962), with Antonio Aguilar and Maricruz Olivier
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References
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