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Michael Hofmann

German-born poet (born 1957) From Wikipedia, the free encyclopedia

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Michael Hofmann FRSL (born 25 August 1957) is a German-born poet, translator, and critic. The Guardian has described him as "arguably the world's most influential translator of German into English".[1]

Quick Facts Michael Hofmann FRSL, Born ...
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Biography

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Michael Hofmann was born in Freiburg im Breisgau (West Germany), the son of German novelist Gert Hofmann and his wife Eva (Thomas) Hofmann, a teacher.[2] He grew up in a family with a literary tradition. His maternal grandfather edited the Brockhaus Enzyklopädie.[3] Hofmann's family first moved to Bristol in 1961, and later to Edinburgh. He was educated at Winchester College,[4] and then studied English Literature and Classics at Magdalene College, Cambridge, graduating with a BA in 1979.[5][6] For the next four years, he pursued postgraduate study at the University of Regensburg and Trinity College, Cambridge.[3]

In 1983, Hofmann started working as a freelance writer, translator, and literary critic.[7] He has since gone on to hold visiting professorships at the University of Michigan, Rutgers University, the New School University, Barnard College, and Columbia University. He was first a visitor to the University of Florida in 1990, joined the faculty in 1994, and became full-time in 2009. He has been teaching poetry and translation workshops.[8]

In 2008, Hofmann was Poet-in-Residence in the state of Queensland in Australia.[9]

Hofmann has two sons, Max (1991) and Jakob (1993).[citation needed] He splits his time between Hamburg and Gainesville, Florida.[1]

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Honours

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Hofmann received the Cholmondeley Award in 1984 for Nights in the Iron Hotel[10] and the Geoffrey Faber Memorial Prize in 1988 for Acrimony.[11] The same year, he also received the Schlegel-Tieck Prize for his translation of Patrick Süskind's Der Kontrabaß (The Double Bass).[12] In 1993 he received the Schlegel-Tieck Prize again for his translation of Wolfgang Koeppen's Death in Rome.[12]

Hofmann was awarded the Independent Foreign Fiction Prize in 1995 for the translation of his father's novel The Film Explainer,[3] and nominated again in 2003 for his translation of Peter Stephan Jungk's The Snowflake Constant.[13] In 1997 he received the Arts Council Writer's Award for his collection of poems Approximately Nowhere,[3] and the following year he received the International Dublin Literary Award for his translation of Herta Müller's novel The Land of Green Plums.[3]

In 1999, Hofmann was awarded the PEN/Book-of-the-Month Club Translation Prize for his translation of Joseph Roth's The String of Pearls.[14] In 2000, Hofmann was selected as the recipient of the Helen and Kurt Wolff Translator's Prize for his translation of Joseph Roth's novel Rebellion (Die Rebellion).[15] In 2003 he received another Schlegel-Tieck Prize for his translation of his father's Luck,[12] and in 2004 he was awarded the Oxford-Weidenfeld Translation Prize for his translation of Ernst Jünger's Storm of Steel.[16] In 2005 Hofmann received his fourth Schlegel-Tieck Prize for his translation of Gerd Ledig's The Stalin Organ.[12] Hofmann served as a judge for the Griffin Poetry Prize in 2002, and in 2006 Hofmann made the Griffin's international shortlist for his translation of Durs Grünbein's Ashes for Breakfast.[17]

Hoffman was elected a Fellow of the Royal Society of Literature in 2023.[18]

His translation of Jenny Erpenbeck's novel Kairos won them the International Booker Prize in 2024, the first occasion on which the prize was won by either a German writer or a male translator.[19]

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Critical writing

Maria Tumarkin describes Hofmann's review writing as "masterful" and "convention-eviscerating".[20] Philip Oltermann remarks on the "savagery" with which Hofmann "can wield a hatchet", stating (with reference to Hofmann's antipathy towards Stefan Zweig) that: "Like a Soho drunk stumbling into the National Portrait Gallery in search of a good scrap, Hofmann has battered posthumous reputations with the same glee as those of the living."[1]

Selected bibliography

Author

  • Nights in the Iron Hotel. London: Faber and Faber. 1984. ISBN 978-0-571-13116-7.
  • Acrimony. London: Faber and Faber. 1986. ISBN 978-0-571-14528-7.
  • Corona, Corona. London: Faber and Faber. 1993. ISBN 978-0-571-17052-4.
  • Approximately Nowhere: poems. London: Faber and Faber. 1999. ISBN 978-0-571-19524-4.
  • Behind the Lines: Pieces on Writing and Pictures. London: Faber and Faber. 2002. ISBN 978-0-571-19523-7.
  • Where Have You Been?: Selected Essays. New York: Farrar, Straus and Giroux. 2014. ISBN 978-0-374-25996-9.
  • One Lark, One Horse. London: Faber and Faber. 2018. ISBN 978-0-571-342297.
  • Messing About in Boats. Oxford: Oxford University Press. 2021.

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Notes

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