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Michelle Citron

American filmmaker From Wikipedia, the free encyclopedia

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Michelle Citron (born 1948, Boston, Massachusetts[2]) is a film, video and multimedia artist, scholar and author.

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Early life

Michelle Citron was born in Boston, Massachusetts. She attended the University of Massachusetts, earning a B.S. in Psychology. She has an Interdisciplinary Ph.D. in cognitive studies and aesthetics from the University of Wisconsin-Madison.[3] Citron was a Professor of Radio/Television/Film at Northwestern University from 1978 to 2006, where she also served as Associate Dean of The Graduate School and Chair of the Department of Radio/Television/Film. She was Chair of the Interdisciplinary Arts Department, Columbia College Chicago from 2006-2012.

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Career

Citron's films explore the lives of women – mothers and daughters, women in the workplace, the trauma of incest, lesbian culture – as well as ethnic identity. These works, influenced by avant-garde film and feminism, blend experimental styles with melodrama and an exploration of the border between documentary and fiction. This experimentation continues with a series of more recent interactive narratives as well as her writing, particularly her book, Home Movies and Other Necessary Fictions.[4]

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Filmography (partial list)

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Multimedia

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Since 1999, Citron has explored new ways to experience story with a series interactive narratives that collectively comprise Queerfeast.com.[6] Each piece in the series is a distinct work; collectively they create a multi-course meal of lesbian life played out through its pleasures, complications, and contradictions.

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Bibliography

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Citron is the author of Home Movies and Other Necessary Fictions, a hybrid memoir. The book examines the relationship between history and memory, psyche and art, non-fiction and imagination, memory and aesthetic strategies. Joe Bonomo, in The Georgia Review, called it "a uniquely powerful book… The result is nothing short of an illuminating cross-genre deconstruction of childhood myth and fantasy, representation and objectively."[8]

The book was awarded the Krasna-Krause Moving Image Book Award, Special Commendation 1999 (International). The award jury cited the book for being "an extraordinary blend of autobiographical and film writing which offers a radical new way of thinking and writing about film." It won two additional awards: The Kovacs Book Award, Society for Cinema Studies 1999, Special Commendation; and Outstanding Book Award, Organization for the study of Communication, Language and Gender 1999.

Citron is also the author of numerous book chapters and articles including:

  • "Slipping the Borders/Shifting the Fragments," in There She Goes: Feminist Filmmaking and Beyond, ed. Corinne Columpar & Sophie Mayer, Wayne State University Press, 2009
  • "Fleeing from Documentary: The Ethics of Autobiographical Filmmaking," in Feminism and Documentary, ed. Diane Waldman and Janet Walker, University of Minnesota Press, 1999
  • "Women's Film Production: Going Mainstream," in The Female Spectator: Looking at Film and TV, ed. E. DeidrePribram, Verso Press, London and Routledge, Chapman & Hart. 1988
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Notes

References

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