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Mr Smart Guy
1941 Australian play by Alec Coppel From Wikipedia, the free encyclopedia
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Mr Smart Guy is a 1941 Australian play by Alec Coppel that was later filmed as Smart Alec (1951).
Coppel wrote the play in England at the beginning of the war.[1] They play had originally been called North Light.[2] Coppel then had it produced when he went to Australia.
He called it a sequel to his earlier I Killed the Count.[3]
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Plot
Rex Albion wishes to take possession of a particular flat which is opposite that of his rich uncle. He moves in and invites the chief commissioner of police, Sir Randolph Towe, over for tea.
While this happens, the uncle is shot dead while sitting on the balcony... but no bullet is found.[4]
World premiere
The play had its world premiere in Sydney in 1941. It was the first presentation from Whitehall Productions, a new theatrical company established by Coppel and Kathleen Robinson.[5][6] The profits from the season went to the Red Cross.[7]
Original cast
- Nigel Lovell as Rex Albion[8]
- Harvey Adams as Detective Inspector Ashley
- Catherine Duncan as Judith Dyer
- Charles Zoli as Cossage, the porter
- Richard Parry as Sir Randolph Towle, chief commissioner of police
- Leslie Victor as the family lawyer Mr Gruppy
- Grant McIntyre as Walter
- Charles McCallum as Mr. Justice Abercorn
- Frederick McMahon as Detective Farr
- John MacDougall as Richards
- Phil Smith as Mr Hymie
William Constable did the design.[9]
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Reception
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The Sydney Morning Herald reviewer said those who found I Killed the Count "such a soundly-constructed and Ingenious murder mystery will find much to entertain them in his latest offering, despite its weakness and its lack of sustained interest... The first act drags, and the second loses its necessary punch and development of tension because its course of drama is too often impeded by comic interference."[10]
The Daily Telegraph called it "delightful entertainment."[11]
The Bulletin called it "well cast and acted... a fairly good" detective mystery although "What mars it is the padding in the second act and the third act’s revelation of both a trick killing and a whacking coincidence : a bit too thick, so that the play as a whole becomes a bit too thin. Without any pretences to originality—a comic porter; the old school tie; clashes between the bull-roaring detective-inspector and the footling police commissioner; the comic foreigner appearing as the comic refugee—the byplay that makes the bulk of the play is cheerfully done and gets its full quota of laughs. The murder situation is original."[12]
The play was a popular success.[13]
The play was revived at the Minerva in August 1941 for a three-week run with Ron Randell in the lead role and Muriel Steinbeck in the lone female part.[14]
The Sydney Morning Herald theatre critic said Randell "failed to explore the subtle aspects of the playwright's study of a criminal exhibitionist."[15]
Radio adaptation
The play was performed on radio on the ABC in May 1941.[16][3]
Max Afford did the adaptation and the original cast reprised their roles.[17]
The play was performed on radio in Australia again in 1945.[18]
The play also inspired a song by Sefton Daly which was recorded by Coppel's then-fiancée Myra.[19]
English production: Strange as It May Seem
The play was produced in England in 1947 under the title Strange as it May Seem.[20][21]
The Derby Evening Telegraph called it "an excellent play".[22]
Radio production
The play was adapted for Australian radio under this title in 1949.[23]
References
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