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Mukkam Post Devach Ghar

Indian Marathi-language film From Wikipedia, the free encyclopedia

Mukkam Post Devach Ghar
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Mukkam Post Devach Ghar (transl.Destination: God's Home) is a 2025 Indian Marathi-language drama film directed and co-written by Sanket Mane.[1] The film stars child actor Myra Vaikul in the lead role, supported by an ensemble cast including Spruha Parab, Mangesh Desai, Kalyani Mulye, Usha Nadkarni, Savita Malpekar and Prathamesh Parab.[2][3] The story follows Jija, a young village girl on a heartfelt mission to send a letter to "God's Home," whose journey, filled with humor and emotions, unites her family and community in meaningful ways.[4]

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The film was released on 31st January 2025.[5]

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Cast

Production

The film was announced officially on 19 December 2025 with a poster unveiled at Siddhivinayak Temple in Mumbai.[6][7]

Soundtrack

The first song from the film, featuring Myra Vaikul and Spruha Parab, was released on January 10, 2025.[8]

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Release

The teaser of the film was launched on 6 January 2025.[9][10] Several famous Marathi celebrities, like Milind Gawali, Sanju Rathod, Subodh Bhave, Amruta Khanvilkar and Prasad Khandekar, helped promote it.[11] The trailer was unveiled on 17 January 2025, in the presence of actor-director Sachin Pilgaonkar.[12]

Reception

Mukkam Post Devach Ghar garnered positive reviews from critics, who lauded its emotional storytelling, Myra Vaikul's performance, and its poignant exploration of grief through a child's perspective, though some noted its slower pacing as a drawback. Chaitrali Joshi of Maharashtra Times called the film a "touching and heartfelt narrative" that effectively portrays a child's emotional journey, praising Vaikul's nuanced performance, but remarked that the film’s pacing could feel sluggish at times.[13] Santosh Bhigarde, writing for Sakal, described the film as a "sensitive and moving tale" that showcases Vaikul’s ability to anchor the story, though he noted that its deliberate pace might not appeal to all viewers.[14] Reshma Raikwar of Loksatta praised the film’s unique premise and emotional depth, particularly highlighting Vaikul’s expressive acting and the director’s delicate handling of the subject, but suggested that tighter editing could have strengthened its impact.[15]

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References

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