Musical Atlas

Recordings of traditional music From Wikipedia, the free encyclopedia

Musical Atlas is a series of recordings of traditional music that was made for the International Music Council by the International Institute for Comparative Music Studies and Documentation (Berlin/Venice) and released on the EMI/Odeon label. The series was directed by Alain Daniélou. It was part of the larger UNESCO Collection series. Most of the recordings were later re-issued on the Naive/Auvidis label.[1][2]

Recordings

Summarize
Perspective
#NameYearIndex number
(EMI or
EMI/Odeon)
Reissue
(Auvidis)
Comments
1Bengal19723C 064-17840D 8077 (1998)Recordings, commentary and photographs by Manfred Junius et al.[3]
2Cambodia: Folk and Ceremonial Music19723C 064-17841D 8068 (1996)Recordings, notes and photographs by Jacques Brunet.[4]
3Ivory Coast: Baulé Vocal Music19723C 064-17842D 8048 (1993)Recordings and commentary by Hugo Zemp. Review by René Ménard in Yearbook of the International Folk Music Council 5 (1973), pp. 222–223, JSTOR 767534.[5]
4Portugal19723C 064-17843D 8008 (1988)Recorded by Hubert de Fraysseix, Margarida Ribeiro and Virgílio Pereira; commentary by Alain Daniélou. Reviewed by James Porter in Ethnomusicology 20, #2 (May 1976), pp. 389–393, JSTOR 851030.[6]
5Bali: Folk Music19723C 064-17858D 8003 (1988)[7]
6India: North Indian Folk Music19723C 064-17859D 8033 (1991)Recording and commentary by Manfred Junius.[8][9]
7Syria: Sunnite Islam19733C 064-17885Recorded by Jochen Wenzel; commentary by Christian Poché.[10]
8Greece: Traditional Music19743C 064-17966D 8018 (1990)Recorded by Jacques Cloarec; commentary by Alain Daniélou.[11][12]
9Hong Kong: Instrumental Music19743C 064-17968D 8031 (1990)Program notes by Dale A. Craig.[13][14]
10Japan: Semi-Classical and Folk Music19743C 064-17967D 8016 (1989)Commentary by Shigeo Kishibe.[15]
11Algeria: Sahara, Music of Gourara19753C 064-18079D 8037 (1991)Recording by Pierre Augier. Reviewed by Carl Cowl in Ethnomusicology 21, #3 (Sep. 1977), pp. 533–535, JSTOR 850751.[16]
12Thailand: The Music of Chieng Mai19753C 064-18080D 8007 (1988)Recordings and commentary by Jacques Brunet.[17]
13Rumania: Traditional Folk Music19753C 064-18120[18]
14Niger: The Music of the Peuls19753C 064-18121D 8006 (1988)Recording and commentary by Simha Arom.[19]
15Dahomey: Bariba and Somba Music19763C 064-18217D 8057 (1994)Recordings and commentary by Simha Arom.[20]
16Chile: Hispano-Chilean Metisse Traditional Music19763C 064-18218D 8001 (1988)Recordings by Jochen Wenzel. Program notes by Manuel Dannemann.[21]
17Morocco: the Arabic Tradition in Moroccan Music19773C 064-18264D 8002 (1988)Vocals and instrumentals by Abdeslam Cherkaoui. Recording and commentary by Philip D. Schuyler.[22]
18Cameroon: Baka Pygmy Music19773C 064-18265D 8029 (1990)Recordings and commentary by Simha Arom and Patrick Renaud.[23]
19Pakistan: The Music of the Qawal (wandering minstrels)19773C 064-18266D 8028 (1990)

Recordings by Heinz Wergelt et Habib Hassan Touma; commentary by Alain Daniélou.[24]

20Viet-Nam: Ca Tru and Quan Ho19783C 064-18310D 8035 (1991)Recordings and commentary by Trân Van Khê. Reviewed by Tran Quang Hai, Asian Music 11, #2 (1980), pp. 128–133, JSTOR 834067.[25]
21North Yemen: Traditional Music19783C 064-18352D 8004 (1988)Recordings by Jochen Wenzel; commentary by Christian Poche.[26]
22Java: Sundanese Folk Music19793C 064-18369D 8051 (1994)Recordings and commentary by Jacques Brunet.[27]
23Bahrain: Traditional Folk and Ceremonial Music19793C 064-18371Commentary by Habib Hassan Touma.[28]
24Irak19793C 064-18370Commentary by Habib Hassan Touma.[29]
25Bolivia: Panpipes19813C 064-18528D 8009 (1987)Commentary and recordings by Louis Girault.[30]
26Bielorussie: Musical Folklore of the Byelorussian Polessye19813C 064-18565D 8005 (1988)[31]
27Turkey: Bektachi Music: Achik Songs19823C 064-18568D 8069 (1996)Vocals and instrumentals by Ali Ekber Çiçek. Recordings by Kudsi Erguner; commentary by Bernard Mauguin and Kudsi Erguner.[32]
28Mexico : music of Pre-Columbian origin19823C 064-18594Notes by Jacques Soustelle.[33]
29Greece II: Vocal monodies198364 1653841D 8056 (1994)Recording and brochure notes by Tatiana Yannopoulos and Simha Arom; photos by Simha Arom.[34]
30Bulgaria198364 1653891D 8019 (1990)Notes by B. Mauguin.[35]
31Central African Republic19831653901D 8020 (1989)Recordings and program notes by S. Arom.[36]
32Indian talas: The rhythmic art of north Indian music19841653911Recorded by Habib Hassan Touma. Brochure notes by Nikhil Gosh.[37]
33Antioch: Syrian Orthodox Church19841653921D 8039 (1992) Recorded by Jochen Wenzel. Brochure notes by Christian Poche; photos by Jochen Wenzel.[37][38]
34Vietnam II: Court theatre music198564 2602821D 8058 (1994)Recorded by Tran Van Khe with the collaboration of the Institute of Musicology of the Socialist Republic of Vietnam. Brochure notes by Tran Van Khe. Review by Phong Th. Nguyen in Yearbook for Traditional Music 19 (1987), 151-152, JSTOR 767911.[39]
35Canada: Music of the Inuit: The Copper Eskimo Tradition198664 2402781D 8053 (1994)Recorded by J.F. and M. Le Mouel. Brochure notes by J.F. and M. Le Mouel. Review by Jean-Jacques Nattiez and Nicole Beaudry in Yearbook for Traditional Music 19 (1987), pp. 150–151, JSTOR 767910.[40]
36Java: Music of the Theatre198564 2403201D 8078 (1999)Recordings, text, and photographs by Jacques Brunet. Reviewed by Patricia Matusky in Ethnomusicology 32, #2 (Spring-Summer, 1988), pp. 159–160, JSTOR 852053. Reviewed by R. Anderson Sutton in Yearbook for Traditional Music 19 (1987), pp. 156–157, JSTOR 767914.[41]

References

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