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Myddelton Square

Garden square in Islington, London, England From Wikipedia, the free encyclopedia

Myddelton Squaremap
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Myddelton Square is the largest square in the Clerkenwell part of Islington, London. It is a residential public garden square, built in the 1820s and 1830s, with a playground and many trees. Its houses are built with exposed brickwork in Georgian style, with high-ceilinged ground and first-floor storeys. There is a large Gothic Revival church in the centre of the square. It is considered by some to be Islington's best and most important adornment of the New River Estate, and, stylistically, it is the most cohesive in the district.[1]

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History

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The New River Company was the owner of the large New River Estate at the top of the Islington Hill. Until 1904, the Company managed the New River, a man-made water channel which carried drinking water for 20 mi (32 km) to London from the Chadwell and Amwell Springs near Ware in Hertfordshire. It opened in 1613 and fed reservoirs in Islington.

By 1818, the Company had decided to develop the estate, including a residential square and a church. The site was a large field called "Butcher's Mantells", near to the Upper Pond reservoir where Claremont Square was built at the same time.[2] The estate was laid out and developed by the Company's architect and surveyor, William Chadwell Mylne,[3] who also designed St Mark's Church at the centre of Myddelton Square.[4]

After initially referring to the development as "Chadwell Square",[2] the square was finally named after Sir Hugh Myddelton (1560–1631), the founder of the New River Company. Construction commenced in 1824, but was not completed until 1836, with thirteen different builders. In 1829 the centre of the square was enclosed with railings and laid out with ornamental gardens for use by the inhabitants only, the church being separately railed.[3]

One of the first residents was the actor and playwright Thomas John Dibdin, who wrote that the area "not five years since, was an immense field, where people used to be stopped and robbed on their return from Sadler's Wells; and the ground floor of the parlour where I sit was as nearly as possible the very spot where my wife and I fell over a recumbent cow, on our way home one murky night in a thunder storm, and only regained the solitary path ... by the timely aid of a tremendous flash of lightning."[5]

As its most prestigious and "highly fashionable" development, the New River Company was initially careful to guard the square's respectability, as were the inhabitants: in 1832 residents complained that boys using the square as a playground were "dangerous and annoying". Early residents were mostly members of the professions, particularly medicine and the law, or else merchants. By 1841, there were already some skilled manufacturers living in the square, and lodging-house occupation gradually spread. By the later nineteenth century, the professional classes were giving way to clerks, white-collar workers, tradesmen and artisans.[3] Charles Booth’s poverty map of c.1890 shows Myddelton Square households as "Middle class. Well-to-do."[6] By the end of the century the square was mainly given over to lodging houses, largely inhabited by young professional men. Multiple occupancy became widespread, and the square's houses began to be converted to flats, often by lateral conversion across adjacent houses.[3]

Nos. 3 and 4 were demolished in 1938–1939 for the widening and re-routing of Myddelton Passage.[3] Nos. 4353 on the north side were destroyed by bombing on 11 January 1941 during the London Blitz.[7] They were rebuilt by the New River Company in 1947 and 1948 as flats behind a facsimile façade, receiving government compensation for the reconstruction. The gardens, which had become derelict during the war, were re-landscaped and rerailed at the same time, with a playground north of the church and a new paved layout to the east in what had become public gardens.[3]

By the early 1980s, there were relatively few undivided houses left. However, following Right to Buy legislation the London Borough of Islington began to sell properties it owned in the square in the 1980s, and a few divided houses were taken back into single or double occupation. The square has now been partially re-gentrified.[3]

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Description

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St Mark's Church

Layout

There are three main approach roads, the broadest being from the east. In addition, there is access via Myddleton Passage, the creation of which necessitated the removal of nos. 3 and 4, thus giving access to two apartment blocks and their landscaped grounds. An earlier access on the same side was filled in to become new houses in the same style, nos. 11A and 12A.

Internally, including roads and pavements, the square contains 3.84 acres (1.55 ha), and measures 414 feet (126 m) by 370 feet (110 m) from one set of houses' fronting to another.

Architecture

The square presents as a set of 73 large townhouses in its original style but many have been internally subdivided. All are constructed in a Georgian style of yellow stock brick, often now slightly darkened, in Flemish bond with a white banded stucco (to resemble stone-built) ground floor. The facsimile façaded frontages of nos. 4353 differ by having full-height brickwork and no ground floor stone-like dressings, like the others. All of the houses are Grade II listed, as is the church.

St Mark's Church

The square surrounds St Mark's Church, which fronts the street on the west side of its garden.[3]

St Mark's was designed by William Chadwell Mylne in neo-Gothic style, and built 1825–1827 at a cost of about £18,000[3] as a chapel of ease for Clerkenwell. It has a 90 ft (27 m) west tower.[2]

During the Second World War, the church was badly damaged. The original internal three-sided gallery was removed, leaving the interior somewhat bare, The original east window was replaced by one showing the Ascension, incorporating scenes of historic local events.[2]

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Notable residents

The square was used as the prime location for an important scene in the 2015 film Suffragette.[13]

A BBC adaptation of Howards End, by EM Forster, in 2017, used a house as the London home of the central Schlegel family (suggestive of fictional "Wickham Place").[14]

Further reading

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References

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