Naanu Nanna Hendthiru

Naanu Nanna Hendthiru (English: Me and my wives) is a 1999 Indian Kannada language comedy drama film directed by V. S. Reddy and produced by Rockline Venkatesh. The film stars Ravichandran along with Soundarya and Prema among others.^[1] Ravichandran has scored the music for the film.

Naanu Nanna Hendthiru
VCD cover
Directed by	V. S. Reddy
Written by	K. Nanjunda (dialogues)
Story by	K. Bhagyaraj
Based on	Thaikulame Thaikulame (1995)
Produced by	Rockline Venkatesh
Starring	Ravichandran Soundarya Prema
Cinematography	G. S. V. Seetharam
Edited by	Shyam
Music by	Ravichandran
Production company	Rockline Productions
Release date	30 April 1999 (1999-04-30)
Running time	166 minutes
Country	India
Language	Kannada

The film was a remake of Tamil film Thaikulame Thaikulame.^[2] The film was a box office success.^{[citation needed]}

Cast

• Ravichandran as Sriram
• Soundarya as Seetha
• Prema as Manisha (Voice by Sunethra Pandit)
• Doddanna as Sriram's father
• Mandya Ramesh
• Srinivasa Murthy
• Kashi as Kashi
• Bank Janardhan
• Jyothi
• Shobha Raghavendra

Production

In February 1999, shooting for the film began.^[3] The first schedule took place in Bangalore and the second schedule was shot in Thailand for twenty days in March 1999.^[4]

Soundtrack

The music was composed by V. Ravichandran and lyrics for the soundtrack penned by K. Kalyan.^[5]

Track listing

No.	Title	Singer(s)	Length
1.	"Baare Chinna"	S. P. Balasubrahmanyam, K. S. Chithra
2.	"Nannavalu Nakkare"	S. P. Balasubrahmanyam, K. S. Chithra
3.	"Naanu Nanna Hendthiru"	S. P. Balasubrahmanyam, K. S. Chithra
4.	"Ready 123"	Gurukiran, L. N. Shastry
5.	"Ee Bhumige"	L. N. Shastry, K. S. Chithra, Suma Shastry
6.	"Ee Jagave Namadu"	L. N. Shastry, K. S. Chithra

Reception

A critic from The Hindu wrote "ROCKLINE PRODUCTION’S yet another re- make, “Naanu Nanna Hendtheeru” has all the trappings such as exotic foreign locales, a surfeit of songs and dances, and a story full of drama that are so identifiable with its earlier productions. But the only impression the film leaves behind is that of the beautiful snow covered expanse of the Himalayas and that of colourful Malaysia, a far-fetched story, with its retrograde ideas on women and an inexpressive Ravichandran being the major cause for the film falling fiat".^[6]