Nathaniel Hurd

Nathaniel Hurd (13 February 1730 – 17 December 1777)^[1][2] is recognized as the first American engraver and a silversmith in Boston, Massachusetts, in the 18th century.^[3] He engraved "bookplates ... heraldic devices, seals, ... paper currency, and business cards" along with die engravers and engravers on copper.^[4][5][1]

This elevation of the Old State House was drawn by Thomas Dawes and engraved by Hurd, after the building was rebuilt after a 1747 fire.^[6]

Nathaniel Hurd
Portrait of Nathaniel Hurd by John Singleton Copley, ca.1765 (Cleveland Museum of Art)
Born	(1730-02-13)February 13, 1730 Boston, Province of Massachusetts Bay
Died	December 17, 1777(1777-12-17) (aged 47) Boston, Province of Massachusetts Bay
Occupation(s)	engraver and silversmith

Early life and family

Hurd's grandfather had come from England and settled in Charlestown. He died in 1749 at the age of 70.^[1]

The pine tree on this 1778 Massachusetts currency was engraved by Hurd. The is the verso (back) side of the bill, which was printed by Thomas Fleet. The recto (front) was engraved and printed by Paul Revere and signed by Thomas Dawes. This bill was repaired by sewing with white thread

Hurd's father was Jacob Hurd, a leading Boston silversmith, whose works are in the collections of the Peabody Essex Museum, Cleveland Museum of Art, Strawbery Banke Museum, and the Museum of Fine Arts, Boston. Jacob Hurd married a daughter of John Mason (of Kingston, Jamaica who died in 1758).^[1]

Career

An obituary from Amos Doolittle noted Hurd was the first to have engraved copper in the USA.^[1]

The lion rampant logo for Phillips Exeter Academy is taken from a bookplate Hurd designed for John Phillips in 1775.^[7]

Works

• 
  Silver teapot made by Hurd in the collection of the Cleveland Museum of Art
• 
  Silver teapot forged and engraved by Hurd
• 
  Salver (tray)
• 
  Armorial bookplate
• 
  Trade card

Later life and legacy

Coat of Arms of Nathaniel Hurd

Hurd died on 17 Dec 1777 and is buried in the old Granary Burial Ground in Boston.^[1]

Examples of Hurd's work are in the collections of Harvard University; Yale University; Historic Deerfield;^[8] the Lexington Historical Society; and the Museum of Fine Arts, Boston.