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No Return (2010 film)
2010 film From Wikipedia, the free encyclopedia
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No Return (Spanish: Sin retorno) is a 2010 Spanish-Argentine thriller drama film directed by Miguel Cohan which stars Leonardo Sbaraglia, Martín Slipak and Bárbara Goenaga alongside Federico Luppi.
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Plot
The plot tracks the developments after a cyclist (Pablo) is hit by a car with young Matías and Chaucha inside. Pablo's father Víctor looks for witnesses and ventriloquist Federico eventually gets wrongfully jailed.
Cast
- Leonardo Sbaraglia as Federico Samaniego[1]
- Martín Slipak as Matías Fustiniano[1]
- Bárbara Goenaga as Natalia Kaufman[1]
- Federico Luppi as Víctor Marchetti[1]
- Luis Machín as Ricardo Fustiniano[1]
- Ana Celentano as Laura[1]
- Arturo Goetz as Liquidador[1]
- Agustín Vásquez as Pablo Marchetti[1]
- Felipe Villanueva as Chaucha[2]
- Rocío Muñoz as Luciana[2]
- Antonia Bengoechea as Malena Samaniego[1]
- Claudia Cantero as Fiscal[1]
- Mariano Fabricante as Secretario Fiscal[1]
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Production
A joint Spanish-Argentine co-production,[3] the film was produced by Haddock Films , Tornasol Films and Castafiore Films in association with Telefe and Arena Films.[4] Shooting locations included Buenos Aires and Alicante.[5]
Release
The film premiered in Argentine theatres on 30 September 2010.[6] It entered the Valladolid International Film Festival's main competition on 27 October 2010,[7] followed by a theatrical release in Spain on 18 February 2011, distributed by Alta Classics.[2]
Reception
Fernando López of La Nación gave a positive review ("good"), writing that the "solid debut" film by Miguel Cohan featured "no gimmicks, no appeals to easy emotion, no sobering speeches, no underlinings", and "no manichaeism in the portrayal of characters", whereas the elaborate screenplay (perhaps "overly elaborate") deals with the likes of "guilt, hypocrisy, individualism, irresponsibility".[8]
Jonathan Holland of Variety considered that the story "is explored with sensitivity and craft", "built around a carefully worked-out script", underpinning a "strong calling card for debut helmer Miguel Cohan".[4]
Javier Ocaña of El País considered the film to be a "powerful dramatic thriller that deals with all angles of an unintentional criminal event", featuring a "superb use of ellipses" and "good performances".[9]
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Accolades
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See also
References
External links
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