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Nobuko Albery
Japanese writer and theatrical producer (born 1940) From Wikipedia, the free encyclopedia
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Nobuko Uenishi-Albery, Lady Albery[1] (née Uenishi, later Morris; born 1940) is a Japanese writer, translator and theatrical producer based in Monte Carlo, Monaco.[2] While working for Tōhō, she was instrumental in bringing British and American musical theatre to Japan. She is the author of three novels, a work of memoir and the co-author of a work on Japanese medieval history. She is also notable as the founder of the Japan Amarant Society and as the widow of the English theatrical impresario, Sir Donald Albery.
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Early life and education
Lady Albery[a] was born Nobuko Uenishi in Ashiya, Hyōgo Prefecture, Japan,[4] the daughter of the president of an engineering company, Keiji Uenishi, and his wife, Sodako, a haiku poet.[2] She is the eldest of four sisters.[5]
During the Second World War, Albery was evacuated and educated at an American missionary school,[2] going on to attend Kobe College High School.[6] In 1960, she enrolled at Waseda University, belonging to the dramatic arts department, and was an active member of a Zengakuren. On 15 June, she was involved in a demonstration protesting the newly signed U.S.–Japan Security Treaty, in the courtyard of the Diet Building in Tokyo, which was violently suppressed by armed police, leading to the death of one female student. Albery was quickly transferred to New York University (NYU) by her father, furious at her for becoming engaged with an anti-American political movement.[7] While there, she occupied a room on the seventh floor of Judson Memorial Church's tower in Manhattan.[8] She graduated from the theatre arts department in 1963.[9]
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Career
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1963–74: Early career with Tōhō
In order to avoid an arranged marriage, Lady Albery acquired a letter of recommendation from her uncle to the influential playwright Kazuo Kikuta.[5] Kikuta was the head of theatre production at the Japanese entertainment corporation Tōhō who, in 1963, had obtained the Japanese-language rights to the muscial My Fair Lady. The production proved to be highly successful with Japanese audiences, leading Tōhō to agree to his suggestion that he have a Broadway representative. Kikuta hired Albery for this task and in this capacity she quickly acquired the Japanese rights to the musicals Kiss me, Kate, Hello, Dolly!, South Pacific, The King and I and Oklahoma!.[10] Her first major success came in 1964, when she acquired the musical Fiddler on the Roof for Tōhō.[2][11] She later equated her success at this time to her apparent youth, claiming she looked like "a 16-year-old babe", and to the fact that lawyers and agents felt sorry for the post-war Japanese.[12]
In 1967, she met the chairman of Oriental Studies at Columbia University, Prof. Ivan Morris, at a party given for the Japanophiles and art collectors Jackson and Mary Burke. She married Morris three months later, following the marriage of her younger sister Yasuko and fearing the prospect of remaining unmarried.[13]
Albery's next success for Tōhō came when she obtained the rights to Margaret Mitchell's 1939 novel Gone with the Wind, adapting it for the Japanese stage.[14][15] The result was another incredibly successful show: opening in 1966,[16] the production was split into two parts which ran first consecutively and then back-to-back, becoming the longest running performance in Japanese history.[17] The production was regularly revived until at least 1994. It was reported in The Times that one such run of the play by the all-female theatre troupe Takarazuka Revue featured an androgynous Rhett who drew "ecstatic female crowds".[2] Tōhō also commissioned Kikuta to write a Japanese-language musical version, entitled Scarlett, which opened in 1970.[18][19]
On the success of this venture, Mitchell's agent, Kay B. Barrett, offered to train Albery as her successor.[15] Albery, however was suffering from an unknown illness at the time, becoming increasingly unwell. Her doctor, recommended by Katharine Hepburn, diagnosed her with hyperthyroidism and suggested she separate from her husband.[20] Following this advice, she returned to her parents in Aishiya and was hospitalised for a month. Although Albery's father initially opposed her divorcing, he later strictly forbade her from returning to Morris following an incident wherein Morris sent her an overcoat via a cash-on-delivery service, embarrassing Albery's father who was forced to borrow money from his chauffeur to make the collection.[21] Albery returned to New York the following spring, renting an apartment on Central Park West and resuming her work for Tōhō.[22]
In 1968, she met her second husband, Sir Donald Albery, whom she would not marry until 1974, attempting to stage Oliver! for Tokyo's Imperial Theatre. Kikuta had a well-known love of Charles Dickens and pretensions of becoming a "Japanese Dickens".[23] Albery (then Nobuko Morris) was therefore dispatched by Kikuta to persuade Sir Donald to sign over Oliver!'s Japanese rights to Tōhō. Despite his incredulity that Albery was indeed Tōhō's agent and that she was in fact an adult,[24] he agreed to meet with her and Kikuta in Venice where he was staging Swan Lake. Albery and Kikuta then flew to Tel Aviv to acquire Oliver!'s sets, meeting with Marlene Dietrich who was starring in a one-woman show at the time.[25] Oliver! opened the same year in Japan, with the guest of honour being Prince Hiro (now Emperor Naruhito).[17] Photographs of the Prince with the lead actors appeared in the Press the following day, helping propel Oliver! to the status of a national sensation.[19] The production was hugely successful, running at a profit for 11 weeks,[2] and cementing Albery and Sir Donald's friendship.[15]
In 1970, Prof. H. Paul Varley published his illustrated book Samurai, contributed to in part by Morris and Albery. The book was intended for a general audience rather than a specialist and was part of the Pageant of History series,[26] edited by John Gross. The same year, Albery worked as an associate producer on the play Conduct Unbecoming (1970–71), produced by Sir Donald and set in the 19th-century British Raj.[27]
Kikuta died in of a stroke in 1973,[28][29] though Albery remained Tōhō's representative. The following year, Sir Donald divorced his wife, the theatrical directress Cicely Boys, marrying Albery.
1987–: Japan Amarant Society
In 1987, Albery obtained the Japanese rights to the musical Les Misérables, producing it for the Imperial Theatre.[2] The following year however, after thirteen years of marriage, Sir Donald died of cancer.[30] Soon after, Albery began to experience amnesia, migraines, heart palpitations, diminished coordination and rashes.[31] At a luncheon given by Prince Rainier III of Monaco, Albery experienced a hot flush which caused her to sweat profusely, to her distress.[32] Initially attributing her symptoms to grief, it was later suggested to Albery that she was suffering from the menopause, a taboo subject in the Japan of that time and one on which the public is largely uninformed.[33][34] In 1989, a French gynaecologist recommended she begin hormone replacement therapy (HRT) to treat these symptoms,[35] to which Albery agreed, noticing a significant increase in her quality of life. During this time, she read an article in The Sunday Times publicising the Amarant Trust,[36] an HRT-advocacy organisation established by the English MP Teresa Gorman.[37]
Albery returned to Japan to revive Oliver! in memory of her late husband. Tōhō suggested that this time it be performed in Japanese and Albery translated the musical herself, doing the same for Miss Saigon the same year. At this time she also began work on a play based on the trials of Oscar Wilde, also in Japanese, titled Oscar,[38] first performed in 1994.[2] After several unsuccessful attempts to persuade middle-aged Japanese friends to pursue HRT, Albery resolved to spend the proceeds of her recent translations on the founding of a Japanese society modelled on Gorman's Amarant Trust.[39] Invited by her friend, the English diplomat Sir Hugh Cortazzi, to serve on the programme committee of a festival celebrating the centenary of The Japan Society in London,[38] she met with Gorman at the Palace of Westminster who gave Albery her blessing to found Japan Amarant Society.[40]
Albery wrote of her experiences with the menopause and HRT in the women's magazine Fujin Kōron, her school friend being the publication's assistant editor. The article was released in September 1990,[41] and the magazine's offices were overwhelmed with telephone inquiries as readers sought further information regarding the menopause and HRT.[42] She also discussed the issue with Akio Morita, the founder of Sony, whom had become a close friend and confidant of her's during her early career, when she would be expected to secure tickets for him and his wife to sold out Broadway shows.[43] Through Morita, Albery gained an introduction to the Minister of Health, Labour and Welfare.[44]
For reasons that remain unclear to Albery, Japan Amarant Society came to advised and represented by Tōhō's lawyer.[45]
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Personal life
Although chiefly domiciled in Monte Carlo, the Alberys maintained a country house in the commune of Roquefort-les-Pains in Provence-Alpes-Côte d'Azur, France.[46] Lady Albery sold the property in 1995.[47]
Albery was a friend of the Japanese writer Yukio Mishima,[48] discussing him as a speaker in Michael McIntyre's documentary for the BBC series Arena,The Strange Case of Yukio Mishima (1985).[49] She also had correspondences with the writer Anaïs Nin[50] and the artist Isamu Noguchi.[51] Albery was also a friend of Ronald Searle, whom she helped with his Japanese during the production of his book To the Kwai and Back: War Drawings 1939–1945 (1986).[52]
Albery is an accomplished linguist, speaking English, French, German, Turkish and Italian in addition to her native Japanese and is reported to speak English with a colloquial mid-Atlantic accent, calling Marlene Dietrich a "blonde broad" in one interview.[53] She also plays the piano.[54]
Albery is also a patron of the all-female theatre troupe Takarazuka Revue, introducing them to the West End in 1994.[2] She is also an honorary advisor to the Jean M. Wong School of Ballet.[55]
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