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Novel of circulation

Type of narrative work centered around an object's use over time From Wikipedia, the free encyclopedia

Novel of circulation
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The novel of circulation, otherwise known as the it-narrative, or object narrative,[1] is a genre of novel common at one time in British literature, and follows the fortunes of an object, for example a coin, that is passed around between different owners. Sometimes, instead, it involves a pet or other domestic animal, as for example in Francis Coventry's The History of Pompey the Little (1751).[2] This and other such works blended satire with the interest for contemporary readers of a roman à clef.[3] They also use objects such as hackney-carriages and bank-notes to interrogate what it meant to live in an increasingly mobile society, and to consider the effect of circulation on human relations.[4]

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Illustration to Pompey the Little, by John June
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Examples

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Twentieth-century examples include Ilya Ehrenburg's The Life of the Automobile (1929),[20] Holling C. Holling's Paddle-to-the-sea (1941),[21] and E. Annie Proulx's Accordion Crimes (1996), [22] and Flat Stanley.[23]

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Relationship to other genres

With works of Mary Ann Kilner of the 1780s, Adventures of a Pincushion and Memoirs of a Peg-Top, it-novels became part of children's literature.[24] One offshoot was a style of satirical children's verse made popular by Catherine Ann Dorset, based on a poem by William Roscoe, The Butterfly's Ball and The Grasshopper's Feast.[25] Quite generally, it-narrative in the 19th century is typified by an animal narrator.[26]

It has been remarked that the slave narrative genre of the 18th century avoided being confused with the it-narrative, being thought of as a type of biography.[27]

The plot of Middlemarch has been seen to be structured, initially, by a circulation; but to end in a contrasting "subject narrative".[28]

Alberto Toscano and Jeff Kinkle have argued that one popular form of hyperlink cinema, a genre of film characterized by intersecting and multilinear plots, constitutes a contemporary form of it-narrative.[29] In these films, they argue, "the narrative link is the characters' relation to the film's product of choice, whether it be guns, cocaine, oil, or Nile perch."[29]

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Notes

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