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Omen (2023 film)

2023 Belgian film From Wikipedia, the free encyclopedia

Omen (2023 film)
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Omen (French: Augure) is a 2023 drama film written and directed by Belgian-Congolese director Baloji. Starring Marc Zinga, Lucie Debay and Eliane Umuhire,[2] it premiered at Cannes in the Un Certain Regard section on 23 May 2023, where it won the New Voice Prize.[3]

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A co-production between Belgium, Democratic Republic of Congo, the Netherlands, France, Germany and South Africa, it was selected as the Belgian entry for Best International Feature Film at the 96th Academy Awards.[4]

In 2023/24 movie director Baloji held the exhibition Baloji Augurism in the MOMU fashion museum in Antwerp, Belgium inspired by the traditional African costumes that he had designed for his film along with Elke Hoste.[5]

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Premise

Congolese man Koffi was disowned by his mother in his youth for being a so-called "zabolo", Swahili for evil sorcerer. Now he returns to Congo from Europe to visit his family, along with his white pregnant girlfriend. The visit does not go well as the ancient rituals and persistent superstitions of the local tribes continue to haunt Koffi.[6]

The film is divided into four chapters, loosely corresponding to each of the main characters' storylines: Koffi, Paco, Tshala and Mujila.[7]

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Cast

  • Marc Zinga: Koffi
  • Lucie Debay: Alice, wife of Koffi
  • Eliane Umuhire: Tshala
  • Yves-Marina Gnahoua: Mama Mujila
  • Marcel Otete Kabeya as Paco
  • Denis Mpunga as Malage
  • Bongeziwe Mabandla as Ezra
  • Guetty Lembe as Bella Bello
  • Linda Ikwa as Masekini
  • Dylan Mata as Maky
  • Romain Barthez as Abel / Dr. Phileasfog
  • Mordecai Kamangu as Simba
  • Olive Mfumu Ntonto as Maya

Production

The head director and screenwriter is the Belgian-Congolese Baloji, also known as the music artist of Starflam, among others. The company Wrong Men produced the film. The production budget was 1 million euros. The film received financial support from the VRT, the RTBF, the Centre du cinéma de la Fédération Wallonie-Bruxelles, screen.brussels, the Dutch Audiovisual Fund and the Federal Tax Service, among others. Filming lasted 23 days and took place at 18 different locations. Augure was released in Belgian theaters on November 15, 2023, and is distributed internationally under the name Omen.[8]

Release

Omen had its premiere at 2023 Cannes Film Festival in 'Un Certain Regard' on 23 May 2023. It was invited to Horizons section of 57th Karlovy Vary International Film Festival, where it was screened on 30 June 2023.[9] It was screened at the 2023 Festival du nouveau cinéma in International Panorama on 8 October,[10] then at 2023 BFI London Film Festival in 'Strand' section under 'Dare' theme on 12 October.[11]

Omen was released in Belgium cinemas on 15 November 2023 by Imagine Film.[12]

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Reception

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On the review aggregator website Rotten Tomatoes website, the film has an approval rating of 83% based on 18 reviews, with an average rating of 7.4/10. The critics' consensus reads: "Visually striking and hauntingly surreal, Omen makes up in mesmerizing imagery and ambition whatever it lacks in narrative legibility."[13]

Peter Bradshaw of The Guardian gave the film a score of four out of five stars, writing that the film explores and deconstructs the concept of a culture clash: "culture, heritage, nationality and identity are all shapeshifting concepts here. Perhaps Omen doesn't completely hang together but it is bold, risky, exciting film-making."[14] Rue Morgue's Michelle Martin praised the film's performances and visuals, and called it, "[a] stunning exploration of Congolese cultural beliefs posits that things that we deem 'occult' exist on the same plane as that which we view as 'scientific,' and the result is captivating."[15]

Peyton Robinson of RogerEbert.com gave the film three out of four stars, calling it "a visually enthralling piece of magical realism proposing ideas on pariahs, culture, and individuality in a world with constantly changing rules. But in devoting so much work to the aesthetic, it falls behind in making sense of its phantasmagoric storylines."[16] Beatrice Loayza of The New York Times characterized the film as ambitious, highlighting its "vivid symbolism" and, "In its best moments, a quiet element of absurdity [that] grounds the spectacle", but lamenting that "the film's frenetic world-building eventually becomes numbing, in part because the uneven human dramas—each one offers a vague message about marginalization—lose momentum in all the commotion."[17]

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Awards

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See also

Notes

References

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