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Paulo Nazareth
Brazilian visual artist (born 1977) From Wikipedia, the free encyclopedia
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Paulo Nazareth (b. 1977) is a Brazilian contemporary artist based in Belo Horizonte, Brazil.[1] Nazareth has achieved acclaim for his distinctive approach to contemporary art. His work, which includes multimedia and performance-based pieces, has been exhibited internationally in venues such as the Venice Biennale, the Museum of Modern Art, New York, and the National Gallery of Art, Washington DC.[2][3][4]
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Biography
Paulo Nazareth, born in 1977 in Governador Valadares, Minas Gerais, Brazil, is of Afro-Brazilian descent. Nazareth builds relationships with the diverse individuals he meets while traveling for his art—often long distances by foot—and these people often become the inspiration for his works of art.[5][failed verification]
In March 2011, he walked from Minas Gerais, Brazil to New York. This solo journey took him five months as he traveled thousands of miles north by foot. He never washed his bare feet, refraining only until he was able to ritualistically wash them in eastern New York's Hudson River.[6] The trip served as a form of performance, allowing him to gauge people's reactions as he passed through their towns and cities. He focused on their perceptions of his racial identity and appearance. [7][8]
Nazareth's work is included in the permanent collections of museums in his home country of Brazil and abroad in institutions such as the Museum of Modern Art, Rio de Janeiro and the Pérez Art Museum Miami, Florida.[9]
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Education
In 1990, Paulo Nazareth studied under Mestre Orlando, a folk artist from Bahia who had moved to Belo Horizonte, where he taught Nazareth the art of carving carrancas.[10]
Paulo Nazareth earned his BFA in 2005, and his MFA in 2006, both from the Universidade Federal de Minas Gerais in Brazil. In 2010, he returned to the university to study Linguistics. [11]
Artworks
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Paulo Nazareth's ethnic heritage and cultural background are major aspects in his works.[12] Through his art, he intends to bring awareness to global issues such as globalization, immigration, ethnicization, and the effects of capitalism in his home country of Brazil, and Latin America as a whole.[13] He primarily works in performance art, painting, and installation.[14][15]
One of the artist's most notable performance pieces is perhaps his 2011 work titled Banana Market, also known as Art Market, in which he initially attempted to carry a sack of bananas with him on foot from Latin America to an exhibition Art Basel in Miami, but the work was thwarted when there would be complications with bringing fruit across international borders.[16] Paulo then decided to display one ton of bananas (along with photos, drawings, and placards) in a Volkswagen bus at the exhibition in lieu of the performance.[17]
Nazareth's works often address decoloniality and the reemergence of subjugated forms of knowledge and memory. One recent example of such work is the "Tree of Forgetting," in which Nazareth walks backward and counter-clockwise around a tree in Benin in a reversal of the ritual in which captives of the Atlantic slave trade were forced to circle endlessly around particular trees in the hopes that they would forget their origins, culture, and history.[18]
Awards and grants
As a part of his PIPA Prize awards in 2016, of which he won the two main categories (PIPA and Popular Vote Exhibition) Paulo Nazareth made another journey on foot from Belo Horizonte to New York to receive his award, then stayed in the state for the next three months for a residency at Residency Unlimited as part of his PIPA Prize award.
- 2016: PIPA Prize, PIPA Institute, Museum of Modern Art of Rio de Janeiro, Rio de Janeiro, Brazil[19]
- 2012: MASP de Artes Visuais – Mercedes-Benz Award, São Paulo, Brazil[19]
- 2010: 12º Salão Nacional de Arte de Itajaí, Santa Catarina, Brazil[19]
- 2005: Bolsa Pampulha, Belo Horizonte, Brazil[20]
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Exhibitions
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His recent exhibitions include Honey, John Jay College of Criminal Justice, New York (2025); Patuá/Patois, WIELS, Brussels (2025); LUZIA, Museo Tamayo, Mexico City (2024); Esconjuro, Inhotim, Brumadinho (2024); En la casa de mi hermano, Proyectos Ultravioleta, Guatemala City (2023); BIRDMAN, Stevenson, Amsterdam (2022); Stroke, The Power Plant, Toronto (2022); Vuadora, Pivô, São Paulo (2022); Melee, ICA Miami, Miami (2019); Faca Cega, Museu de Arte da Pampulha, Belo Horizonte (2018); The Journal, Institute for Contemporary Arts, London (2014); Premium Bananas, MASP, São Paulo (2012).[21]
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References
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