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Postmodern Platos
1999 studio album by Tom Zé From Wikipedia, the free encyclopedia
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Postmodern Platos is an EP by the Brazilian musician Tom Zé, released in 1999.[2][3] It contains remixes of tracks found on his album Com Defeito de Fabricação.[4] The album and the EP helped to increase Zé's popularity in the United States and Brazil.[5]
Zé supported the EP by touring North America (for the first time) with Tortoise; Zé sold the EP at his concerts and online.[6][7][8] The remix EP conforms to Zé's philosophy of arrastão, where art can be "stolen" and repurposed.[9]
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Production
The tracks were remixed by the High Llamas, John McEntire, Sean Lennon, Amon Tobin, and Sasha-Frere Jones (as Gene to Gene).[10][11] Zé was surprised that his music was so appreciated by artists working in various genres; he also was pleased that some songs sped up his rhythms.[12][13] "Canudos" was a new song by Zé.[8]
Critical reception
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Pitchfork wrote: "When, four minutes into the almost seven- minute-long nebulaic journey, Tobin breaks out his trademark frenzied rhythmic assault, he casually casts off the best one-and-a-half minutes Postmodern Platos has to offer."[15] Spin determined that "rarely has weird alien funkaplinking been so relaxing."[16] The Star Tribune noted that the remixers "breathe their own musicality into Ze's songs."[17] The Orange County Register labeled the EP "little more than an appetizer for his full-length CD—but it's tasty nonetheless."[14]
The Los Angeles Times deemed the EP "a kind of '90s pop music echo of the eclectic, cut-and-paste avant-garde music of the '60s, an early influence on Ze during his student days."[18] The Village Voice concluded that "McEntire's 'Defect 2: Curiosidade' remix ... doesn't demonstrate particular insight."[19] Rolling Stone wrote that "the High Llamas dismantle [Zé's] song into free-floating radio transmissions that murmur above a plaintive, warbling synthesizer."[8]
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Track listing
References
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