Real (2013 film)

Real (リアル〜完全なる首長竜の日〜, Riaru: Kanzen Naru Kubinagaryū no Hi) is a 2013 Japanese science fiction drama film directed by Kiyoshi Kurosawa, starring Takeru Satoh and Haruka Ayase.^[3] It is Kurosawa's first feature film since Tokyo Sonata (2008).^[4] It is based on Rokuro Inui's novel A Perfect Day for Plesiosaur.^[5] It was released in Japan on 1 June 2013.^[6]

Real
Theatrical release poster
Directed by	Kiyoshi Kurosawa
Written by	Kiyoshi Kurosawa Sachiko Tanaka
Based on	A Perfect Day for Plesiosaur by Rokuro Inui
Starring	Takeru Satoh Haruka Ayase
Cinematography	Akiko Ashizawa
Edited by	Takashi Saito
Music by	Kei Haneoka
Production company	Twins Japan[1]
Distributed by	Toho
Release date	1 June 2013 (2013-06-01) (Japan)
Running time	127 minutes
Country	Japan
Language	Japanese
Box office	$3,801,975[2]

Plot

Suffering from writer's block, a manga artist Atsumi (Haruka Ayase) has attempted suicide and is in a coma. Koichi (Takeru Satoh), Atsumi's lover, tries to awaken her. With help from doctors Aihara (Miki Nakatani) and Yonemura (Keisuke Horibe), Koichi enters the mind of Atsumi by using the experimental technology called "sensing".

Cast

• Takeru Satoh as Koichi Fujita
• Haruka Ayase as Atsumi Kazu
• Miki Nakatani as Eiko Aihara
• Joe Odagiri as Sawano
• Shota Sometani as Shingo Takagi
• Keisuke Horibe as Yonemura
• Yutaka Matsushige as Haruhiko
• Kyōko Koizumi as Makiko

Release

The film was released in Japan on 1 June 2013.^[7] It also screened at the 2013 Locarno Festival,^[1] the 2013 Toronto International Film Festival,^[8] and the 2013 New York Film Festival.^[9]

Reception

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 57%, with an average rating of 5.85/10, based on 7 reviews.^[10]

Eric Kohn of IndieWire gave the film a B− grade, saying: "While the two main leads share enough chemistry to inject their drama with purpose, it's hardly enough to justify the two hour-plus journey."^[11] Maggie Lee of Variety had a mixed reaction, describing the films as "Kiyoshi Kurosawa at his least disturbing or mesmerizing," and said: "Although the aesthetics retain the Nipponese horror maestro's trademark haunting quality, the yarn's U-turn from psycho-horror to hokey childlike fable is unexpected and disappointing".^[12] Boyd Van Hoeij of The Hollywood Reporter praised the production design by Takeshi Shimizu.^[13]