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Royal Academy Exhibition of 1784
1784 art exhibition in London From Wikipedia, the free encyclopedia
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The Royal Academy Exhibition of 1784 was an art exhibition held at Somerset House in London between 26 April and 3 June 1784. It was the sixteenth annual Summer Exhibition of the Royal Academy of Arts.[1]

The exhibition was marked by disputes and the absence of many of the leading painters of the era. George Stubbs and Joseph Wright of Derby had both been denied membership of the Academy. The latter responded by hosting his own successful private show. Most significantly, when the hanging committee refused to hang his royal portrait The Three Eldest Princesses to his satisfaction, Thomas Gainsborough withdrew it and all the other works he had planned to exhibit that year.[2] This marked the second and final time he had withdrawn from the Academy and he submitted no further works for the remainder of his career.[3]
Gainsborough's rival the president of the Royal Academy displayed seventeen paintings including a number of portraits of George, Prince of Wales and Charles James Fox. His Sarah Siddons as the Tragic Muse featuring the popular West End actress was one of the most acclaimed works on display. A number of paintings featured British naval victories against France during the recent American War of Independence. Two paintings by John Webber and Johann Heinrich Ramberg depicted exploratory travels and Death of James Cook in Hawaii five years earlier.[4]
The American artist John Singleton Copley chose to display The Death of Major Pierson his popular painting of a scene from American War of Independence at a private exhibition rather than at the Royal Academy.[5] His fellow American John Trumbull submitted a portrait of John Temple, who had provided assistance to him when he has been imprisoned during the recent war. A second Trumbull work, a history painting featured the Ancient Roman Cincinnatus, is now lost.[6] The Pennsylvania-born Benjamin West displayed the large biblical painting Moses Receiving the Law on Mount Sinai which dominated the east wall of the Great Room and was praised for it's"great taste and sublimity".[7]
The French-born British artist Philip James de Loutherbourg displayed a group of landscapes of Derbyshire and Westmoreland in a proto-romantic style. The German artist Johann Zoffany submitted several portraits. Francis Wheatley sent in several scenes from Ireland, notably The Salmon Leap, Lexlip. John Opie displayed The Schoolmistress.
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Gallery
- The Three Eldest Princesses by Thomas Gainsborough. Withdrawn from the Exhibition
- The Baillie Family by Thomas Gainsborough. Withdrawn from the Exhibition
- The Tomkinson Brothers by Thomas Gainsborough. Withdrawn from the Exhibition.
- Portrait of Lord Rawdon by Thomas Gainsborough. Withdrawn from the Exhibition
- Portrait of the Countess of Buckinghamshire by Thomas Gainsborough. Withdrawn from the Exhibition
- Portrait of the Earl of Buckinghamshire by Thomas Gainsborough. Withdrawn from the Exhibition
- Portrait of Admiral Rodney by Thomas Gainsborough. Withdrawn from the Exhibition
- Portrait of Frances Kemble by Joshua Reynolds
- A Cottage in Patterdale, Westmoreland by Philip James de Loutherbourg
- Skiddaw, Cumberland, a Summer Evening with a Stage Coach by Philip James de Loutherbourg
- Portrait of Barnard Turner by Francis Wheatley
- The Salmon Leap, Lexlip by Francis Wheatley
- The Capture of the Amazone by HMS Santa Margarita by Robert Dodd
- The Santa Margarita Cutting Her Prize Adrift by Robert Dodd
- A Master in Chancery Entering the House of Lords by Ralph Earl
- The Death of Oedipus by Henry Fuseli
- Lady Macbeth Walking in her Sleep by Henry Fuseli
- Moses Receiving the Law on Mount Sinai by Benjamin West
- The Apotheosis of Prince Octavius by Benjamin West
- Old Ouse Bridge, York by Joseph Farington
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References
Bibliography
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