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Rudi Stephan

German composer (1887–1915) From Wikipedia, the free encyclopedia

Rudi Stephan
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Rudi Stephan (29 July 1887 – 29 September 1915) was a German composer of great promise who was considered one of the leading talents of his generation.[1] He was killed in action during World War I.

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Life

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Stephan was born at Worms, Grand Duchy of Hesse, the son of the privy councillor and politician Karl Stephan [de] who was also the head of the local Richard-Wagner-Verband.[2] Stephan became a composition pupil of Bernhard Sekles at the Hoch Conservatory in Frankfurt, and of Rudolf Louis in Munich, where he settled after completing his studies in 1908.[3]

He left only a few works: his liking for pointedly neutral titles along the lines of 'Music for ...' has caused him to be seen as a forerunner of the 'New Objectivity' of the post-war era, but his music is in fact in a hyper-expressive late-Romantic idiom which has more plausibly been seen by some as a kind of proto-Expressionism.[1] His father was able to finance the performance of his early works, which at first met with incomprehension, but the premiere of his 1912 Music for Orchestra in Worms was a major critical breakthrough.[2] He completed his only opera, Die ersten Menschen, shortly after the outbreak of the First World War.[3] It was eventually premiered in Frankfurt, five years after the composer had been killed in action at Chodaczków Wielki near Tarnopol on the Galician Front.[2]

His complete extant orchestral works were recorded by the Melbourne Symphony Orchestra conducted by Oleg Caetani.[4]

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List of works

Source:[5][6][7]

  • Opus 1 for Orchestra
  • Liebeszauber for baritone and orchestra, after Hebbel (1907, rev. 1911)
  • Music for Orchestra [No. 1] (1910)[8]
  • Grotesque for violin and piano
  • Music for Violin and Orchestra (1910, rev. 1913)
  • Music for Seven Stringed Instruments (2 violins, viola, violoncello, doublebass, harp and piano) (1907–11; unfinished revision for piano quintet, 1914)[8]
  • Music for Orchestra [No. 2] (1912, rev. 1913) [NB this work is often said to be a revision of the 1910 Music for Orchestra, but they are in fact unrelated]
  • Die ersten Menschen (1909–14), opera after the erotic mystery-play by Otto Borngräber[8]
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References

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