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Sandra Kogut

Brazilian filmmaker (born 1965) From Wikipedia, the free encyclopedia

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Sandra Kogut is a filmmaker born 1965 in Rio de Janeiro, Brazil, whose works transition between documentary and narrative fiction. She first received international attention for her 1991 documentary Paralamas do Sucesso.[1][2] Kogut has taught at renowned universities around the world and has worked for Brazilian and European broadcasters. Her debut feature film project was the multi award-winning Mutum in 2007.[3][4] She is more recently known for Campo Grande (2015), which had its premiere in the Contemporary World Cinema section of the 2015 Toronto International Film Festival.[5]

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Background

Kogut is of Hungarian descent and was born in Rio de Janeiro in 1965.[6] She spent more than ten years living in France, before moving to the United States.[4] She graduated in philosophy from the Catholic University of Rio de Janeiro, and began her career as a performance and installation artist in 1984.[7] Among other venues, Her works have been shown at the Museum of Modern Art and Guggenheim Museum in New York City. Her grandparents migrated to Brazil from Hungary to avoid The Holocaust, and it was their experiences which inspired her film A Hungarian Passport.[8]

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Filmography

  • Paralamas do Sucesso (1988 documentary)
  • Angola (1991)
  • Parabolic People (1991)[9]
  • En français (1993)
  • Here and There (Lá e Cá) (1995)
  • Adiu monde or Pierre and Claire's Story (Adieu monde ou l'histoire de Pierre et Claire) (1998 documentary)
  • Lecy e Humberto nos Campos Neutrais - Chuí - Chuy (1999)
  • A Hungarian Passport (Un passeport Hongrois) (2001 documentary)[9]
  • Passengers of Orsay (Passagers d'Orsay) (2002)[9]
  • Mutum (2007)
  • Campo Grande (2015)
  • Three Summers (2019)
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Recognition

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While Kogut was residing in Paris, France, Harvard Film Archive wrote of her works being archived by their Carpenter Center for the Visual Arts and stated that she "has emerged as one of the most distinctive cultural filmmakers at work today. Her films are by turns whimsical, lyrical, and finely ironic—lighthearted and playful, yet also momentous and serious."[6]

Awards and nominations

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References

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