Erulkar worked in the British film industry for almost forty years (1944-1983), producing over 80 films.^[3] She won two prizes at the Venice Film Festival (1952, 1971), while her documentary about the design of postage stamps, Picture to Post (1969), won her her first Best Short Film BAFTA in 1970. Her second would come with The Living City (1977), about her native Kolkata.

Erulkar began her career at the Shell Film Unit, where she had a rapid rise, graduating from scripting and editing Aircraft Today and Tomorrow (1946), to directing the second film she worked on, Flight for Tomorrow (1947). Next she directed Lord Siva Danced (1947), which featured celebrated Indian dancer and choreographer Ram Gopal, and was well received in both India and Britain.^[4] Erulkar was forced to leave Shell in 1952 after marrying fellow SFU filmmaker, Peter de Normanville.^[5] She would work as a free-lancer for the rest of her long career, first, as an editor at the National Coal Board Film Unit before resuming directing for numerous sponsors, including the British Productivity Council, the Central Office of Information (COI), the Gas Council and the General Post Office (GPO).

Erulker chose not to transition into either television or feature films. Her films covered a breadth of subject matter, including 'women's issues,' and crossed genres: 'from classic documentary, travelogue, and 'trigger' films to children's features, medical training films and public information, as well as the customary swathe of promotional shorts for various commercial bodies.'^[4] Birthright, for instance, which she wrote and directed, was the first British short on birth control.^[6] Like her British documentary forebears, Erulkar brought a social consciousness to her films.^[4]

Early years

Career

Personal life

Partial filmography

Awards

References

Sources

External links