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Sasquatch (TV series)

2021 American true crime docuseries From Wikipedia, the free encyclopedia

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Sasquatch is an American true crime documentary television series that premiered on Hulu on April 20, 2021,[1] with a South by Southwest pre-release screen on March 16, 2021. The show begins with investigative journalist David Holthouse's recalling a story he heard in 1993 on a cannabis farm in Mendocino County, part of the Emerald Triangle in Northern California. Holthouse heard someone say that Bigfoot has killed three people on a nearby cannabis farm.[2] Throughout the show Holthouse talks with marijuana growers and law enforcement in Mendocino County, who tell him about possible connections to the Hells Angels biker gang and Spy Rock Road, a lawless marijuana growing area of Mendocino County near Laytonville. These interviews reveal the larger problem of missing persons in the Emerald Triangle.[3]

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Cast

  • David Holthouse - Self - Investigative Journalist
  • Ghostdance - Self - Cannabis Farmer
  • Christopher Dienstag - Self - Former Cannabis Farmer
  • Razor - Self - Cannabis Farmer
  • Molly Sinoway - Self - Back to the Lander
  • Bob Gimlin - Self - Legendary Sasquatch Hunter
  • Charles Carlson - Self - Back to the Lander
  • Larry Livermore - Self - Back to the Lander
  • Diana - Self - Niece of Hugo Olea-Lopez
  • Wayne and Georges - Themselves - Wayne Stapleton, Georges Hemingway — Life Partners/Sasquatch Hunters
  • Bob Heironimus - Self - Self-Proclaimed Sasquatch Hoaxer
  • Brian Regal - Self - Author of Searching for Sasquatch
  • Luis Espinoza - Self - Lead Investigator, Hugo Olea-Lopez Case
  • Dale Ferranto - Self - CAMP Commander
  • Tom Allman - Self - Mendocino County Sheriff
  • James Fay - Self - Sasquatch Hunter
  • Jerry Hein - Self - Sasquatch Hunter
  • Mike Sinoway - Self - Attorney
  • Mark Saiz - Self - CAMP Officer
  • Jim Murphy - Self - Retired Police Officer
  • Jeffrey Meldrum - Self - Professor of Anatomy and Anthropology
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Episodes

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Reception

Sasquatch has received mostly positive reviews with critics praising the pacing, animated recreations, and true sense of danger.[4] Richard Roeper of the Chicago Sun-Times wrote, "director Joshua Rofe makes great use of sparse, graphic-novel type re-enactment animation to augment the usual assortment of interviews and archival footage."[5] One of the few negative reviews came from Eileen Jones of Jacobin, who wrote that it consisted of "entirely unserious, exploitative hijinks" which contrasted with the serious subject matter.[6]

See also

References

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