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Sea Pictures

Song cycle by Edward Elgar From Wikipedia, the free encyclopedia

Sea Pictures
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Sea Pictures, Op. 37 is a song cycle for contralto and orchestra by Edward Elgar. It consists of settings of a poems by five different authors. A version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece.

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The 1899 Boosey & Hawkes edition of Sea Pictures

The songs are:[1]

Much of the vocal line of the first song, "Sea Slumber Song", is heard again in other parts of the cycle; most notably, the second stanza is heard again almost in its entirety as part of the finale.

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History

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The English composer Edward Elgar composed the piece on his 1894 Broadwood Square piano while residing at Birchwood Lodge, Great Storridge, near Cradley, Herefordshire. The songs were originally written in high keys for a soprano voice, but were transposed by the composer to lower keys for the orchestral version, largely at the request of the contralto Clara Butt.[citation needed] Four of the songs were composed in July 1899; "In Haven (Capri)" was a reworking of his 1897 "Love alone will stay".[2]

The premiere took place on 5 October 1899 at the Norfolk and Norwich Festival with Elgar himself conducting and Butt singing, dressed as a mermaid.[2] Butt gave the first London performance two days later at St. James's Hall, with Elgar at the piano. O 20 October, Butt performed the work for Queen Victoria at Balmoral.

Sea Pictures were published by Boosey & Hawkes, who bought the copyright for £50, with a small royalty payment per copy of the songs published separately.

Sea Pictures was published in German: as See-Bilder with words by Dr. Wilhelm Henzen, and in French as Marines with words by George Petilleau.

While the cycle is heard most often in its canonical form for contralto and symphony orchestra, it can also be performed as a work for voice and piano, and in recent years some sopranos have taken up the work using Elgar's original keys.

In 2010, the British composer Donald Fraser made a version of Sea Pictures for SATB chorus and strings. The first recording of that version was made by the English Chamber Orchestra, Rodolfus Choir and conductor Kenneth Woods in Abbey Road Studios in 2013. Fraser's arrangement was hailed by Stephen Johnson in BBC Music Magazine as "beautifully realised, performed with warmth and understanding, and sympathetically recorded."[3]

Fraser has also made a version of the work for SATB chorus and large symphony orchestra.

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Recordings

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