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Sequence 01
2025 studio album by F5ve From Wikipedia, the free encyclopedia
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Sequence 01 (stylized in all caps) is the debut studio album by Japanese girl group F5ve, released on May 5, 2025, through LDH Records. Under executive production from BloodPop, the album features additional work by A.G. Cook and Hudson Mohawke, and a guest appearance from American singer Kesha.
It is preceded by the singles "Firetruck", "Lettuce", "Underground", "UFO" and "Magic Clock".
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Background and recording
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F5ve, composed of the members Sayaka, Kaede, Miyuu, Ruri and Rui, originally made their debut in 2022 under the name SG5 ("Sailor Guardians 5"), taking direct inspiration from the manga franchise Sailor Moon.[1] Their formation was a collaboration between LDH Japan and the globally-based Three Six Zero, with BloodPop brought on as executive producer. Their first and only single as this iteration, "Firetruck", was released in February 2023 and emphasized a "girl crush" concept; it was met with lukewarm reception.[2]
By 2024, the group underwent a change in creative direction and re-emerged as F5ve, with subsequent releases taking on a hyperpop influence and ceasing their association to the manga.[2][3] The group saw wide exposure after the singles "Lettuce" and "Underground" went viral on social media. In October 2024, the group revealed to Gay Times that their debut album was in production.[4]
Sequence 01 was developed over nearly two years. Initial sessions took place in December 2023, with a team of American producers traveling to Japan to work with F5ve over two weeks.[5] Kaede found the recording process with Bloodpop to be a "fresh" experience, "different from how Japanese people create music".[6] Their creative team took heavy note of the group's music preferences, with the members sharing playlists for song ideas and giving their input on arrangements.[7]
The album marked the first time that Sayaka, Kaede, and Miyuu recorded vocals for a project, who previously held dancer-only roles in their former group, Happiness. Rui shared that it was the first time that they were able to decide their own singing parts.
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Composition
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Sequence 01 is conceptualized as a "sequence of dreams" and explores a range of genres as a result—dance, rock, funk and hyperpop among them.[8][9] Member Ruri characterizes the album as straddling a "classic J-pop influence" that meets Western electronic pop, with a "futuristic edge to the production that keeps it cohesive".[10]
The members sing in both Japanese and English. F5ve made it a point to deliver a distinct Japanese identity through their music, with Kaede adding: "I think [following trends] ends up diluting [that] aspect. [We are] transmitting Japanese culture as it is [and] I think it has hit audiences that have always been interested in Japanese culture and music."[11] Japanese singer-songwriter Emyli, known for her work with M-Flo and Namie Amuro, is credited on all but three of the album's tracks.[12] Anime, a common interest between the group and Bloodpop, was also a source of musical inspiration.[6]
Songs
Following the brief introduction of "Initiate Sequence 01", the album opens with "Underground", which Rolling Stone Japan writer Minori singled out for its nod to Heisei era sensibilities in blending Eurobeat and hyperpop.[7] "Magic Clock" is described as a melancholic, bright pop song mixed with "glitchy synths" that is centered around fleeting memories.[13][14][15] Member Ruri called it "quintessentially J-pop", while Kaede noted comments on social media that likened it to "early 2000s K-pop".[15]
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Release and artwork
Sequence 01 was announced on February 26, 2025, through the group's social media accounts.[16] The cover photograph was taken by Charlotte Rutherford, who also directed several music videos for the group during the Sequence 01 album cycle.[17] F5ve is seen examining office filing boxes while scattering documents. The creative direction was handled by Crystalline Structures, while the F5ve logo was designed by Timothy Luke.[18]
Critical reception
Clash writer Maria Letícia L. Gomes gave the album an eight out of ten, calling it "chaotic, camp, and completely irresistible".[13]
Commercial performance
The album reached a debut position of 39 on the Japanese Oricon Albums Chart, selling 855 physical copies in its first week.
Track listing
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Charts
References
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