Shannon Te Ao

Walters Prize

Te Ao was the sole New Zealand artist selected for the 19th Biennale of Sydney in 2014.^[4] His video work two shoots that stretch far out (2013–2014) was shown at the Art Gallery of New South Wales for the Biennale.^[5] In 2015 the work was shown at City Gallery Wellington alongside drawings by Susan Te Kahurangi King in the exhibition Susan Te Kahurangi King and Shannon Te Ao: From the One I Call My Own.^[4]

In March 2016 Te Ao was announced as a finalist for the biennial Walters Prize (New Zealand's largest visual arts prize) for the work.^[6] For his presentation in the Walters Prize exhibition at Auckland Art Gallery Te Ao showed two shoots that stretch far out in one room, and in a space leading in to the screening installed Okea ururoatia (never say die) (2016), made of living plants arranged on pallets and lit by hanging lights.^[7] He was announced as the winner on 30 September 2016; the award was judged by Doryun Chong.^[8]

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Exhibitions

2013

Follow the Party of the Whale, The Blue Oyster Art Project Space^[2]

2014

Follow the Party of the Whale, Adam Art Gallery^[9]
19th Biennale of Sydney
Towards doing more, The Physics Room^[10]

2015

Shannon Te Ao: A torch and a light (cover), Te Tuhi Centre for the Arts^[11]
Susan Te Kahurangi King and Shannon Te Ao: From the One I Call My Own, City Gallery Wellington

2016

Shannon Te Ao: A torch and a light (cover), Hastings City Art Gallery ^[12]
Walters Prize Award, Auckland Art Gallery^[13]
Shannon Te Ao: Untitled (malady), Robert Heald Gallery, Wellington^[14]

2017

Shannon Te Ao: Tēnei Ao Kawa Nei, Christchurch Art Gallery^[15]
Shannon Te Ao: Untitled (McCahon House Studies), City Gallery Wellington^[16]
te huka o te tai, Artspace, Auckland^[17]
Shannon Te Ao: With the sun aglow, I have my pensive moods, Edinburgh Art Festival^[18]

2018

Shannon Te Ao: my life as a tunnel, The Dowse Art Museum^[19]

Further information

Interviews

Five Minutes With Shannon Te Ao, The Brag, 2014
Shannon Te Ao interviewed by Mark Amery, Circuit, 23 July 2015
Shannon Te Ao interviewed by Kim Hill, Saturday Morning programme, RNZ, 1 October 2016
Shannon Te Ao interviewed by Nathan Pohio, Bulletin, Christchurch Art Gallery, February 2017
Shannon Te Ao interviewed by Lynn Freeman, Standing Room Only, RNZ, 2 July 2017

Reviews

Courtney Johnston, Review of Susan Te Kahurangi King and Shannon Te Ao: From the One I Call My Own, Nine to Noon programme, RNZ, 1 July 2015
Mark Amery Review of Susan Te Kahurangi King and Shannon Te Ao: From the One I Call My Own, NZ Listener, 2 July 2015
John Hurrell, A New Shannon Te Ao Video, EyeContact, 15 July 2015
Jessica Hubbard Searching for a Nonverbal Connection, EyeContact, 7 October 2015
Megan Dunn, The Abode of Indifference, Circuit, 11 October 2015
John Hurrell, More Is Less: The Walters Prize 2016, EyeContact, 7 August 2016
Tim Cornwall, Edinburgh Art Festival: artists look to Maori traditions, 19th-century botany and jellyfish, The Art Newspaper, 25 July 2017
Laura Cumming, Edinburgh art festival review – the dark side of Robert Burns, The Observer, 30 July 2017.
En Liang Khong Critic’s Guide: Edinburgh, Frieze, 1 August 2017
Andrew Clifford Shannon Te Ao: With the sun aglow, I have my pensive moods, Contemporary Hum, 4 December 2017
Matariki Williams, The Singing Word: On Shannon Te Ao’s my life as a tunnel, The Pantograph Punch, 22 June 2018
Alex Davidson, Critic's pick: Shannon Te Ao, Artforum, July 2018
Fi Churchman, Future Greats: Shannon Te Ao, Art Review Asia, Summer 2018

Books

An artist book, I can press my face up against the glass, was published by The Physics Room in 2014.^[20] It features essays by Tina Barton, Caterina Riva and Anna-Marie White.^[21]

A chapter on Te Ao's work is included in New Zealand writer Anthony Byrt's 2016 book This Model World: Travels to the Edge of Contemporary Art. A still from his 2014 work two shoots that stretch far out was used for the cover of the book.^[22] ISBN 978-1-86940-858-9

Education