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Sylvius Leopold Weiss

German composer and lutenist From Wikipedia, the free encyclopedia

Sylvius Leopold Weiss
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Sylvius Leopold Weiss (12 October 1687  16 October 1750) was a German composer and lutenist.

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Sylvius Leopold Weiss.

Born in Grottkau near Breslau, the son of Johann Jacob Weiss, also a lutenist, Weiss was one of the most important and most prolific composers of lute music in history and one of the best-known and most technically accomplished lutenists of his day.

In later life, Weiss became a friend of Wilhelm Friedemann Bach and met J.S. Bach through him. Bach and Weiss were said to have competed in improvisation.

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Life

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Born in Grottkau near Breslau, the son of Johann Jacob Weiss, also a lutenist, he served at courts in Breslau, Rome, and Dresden, where he died. Until recently, he was thought to have been born in 1686, but recent evidence suggests that he was in fact born the following year.[1]

Weiss was one of the most important and most prolific composers of lute music in history and one of the best-known and most technically accomplished lutenists of his day. He was a teacher to Philip Hyacinth, 4th Prince Lobkowicz, and the prince's second wife Anna Wilhelmina Althan.

In later life, Weiss became a friend of Wilhelm Friedemann Bach and met J.S. Bach through him. Bach and Weiss were said to have competed in improvisation, as the following account by Johann Friedrich Reichardt describes:

"Anyone who knows how difficult it is to play harmonic modulations and good counterpoint on the lute will be surprised and full of disbelief to hear from eyewitnesses that Weiss, the great lutenist, challenged J.S. Bach, the great harpsichordist and organist, at playing fantasies and fugues."

Sylvius Weiss's son Johann Adolph Faustinus Weiss succeeded him as a Saxon court lutenist.

Weiss is buried at the Old Catholic Cemetery in Dresden, Saxony, Germany.

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Works

Weiss probably wrote more than 1000 pieces for lute,[2] from which about 850 attributed pieces survived, most of them grouped into 'sonatas' (not to be confused with the later classical sonata, based on sonata form) or suites, which consist mostly of baroque dance pieces. Weiss also wrote chamber pieces and concertos, but only the solo parts have survived for most of them.

His Sonatas 15 and 48 were the inspiration for the painting "The Fruit of the Soul II" by Anelia Pavlova.[3]

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https://www.findagrave.com/memorial/35112907/silvius_leopold-wei%C3%9F#source

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