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Snipe Hunter
2025 studio album by Tyler Childers From Wikipedia, the free encyclopedia
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Snipe Hunter is the seventh studio album by American country musician Tyler Childers, released on July 25, 2025, via Hickman Holler Records and RCA Records. Produced by Rick Rubin, the album marks a new creative direction for Childers, blending Appalachian storytelling, experimental rock, gospel, psychedelia, and spiritual inquiry. Widely regarded as his most ambitious and unpredictable project to date, Snipe Hunter received critical acclaim for its daring scope and deeply rooted emotional resonance.
The album includes 13 tracks, among them long-awaited studio versions of fan favorites like "Nose on the Grindstone" and new compositions that draw on themes of death, faith, personal myth, and regional identity. Rubin's raw and expansive production facilitated Childers' most uninhibited recording process to date. Critics hailed Snipe Hunter as a peak moment in Childers' career, with some calling it a strong contender for album of the year.
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Background and recording
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Childers began writing Snipe Hunter after the release of his 2023 album Rustin' in the Rain, continuing his exploration of eclectic musical forms and spiritual themes. He recorded the album primarily in Malibu and Hawaii, with producer Rick Rubin encouraging an unstructured, organic creative process.[1] Childers' evolving interest in Eastern spirituality, particularly Hinduism and the Hare Krishna movement, deeply informed the album's lyrical content and sonic experimentation.[2]
Unlike Childers' previous concept-driven records, such as the gospel-focused Can I Take My Hounds to Heaven? or the fiddle-only Long Violent History, Snipe Hunter breaks free from any single theme or genre. According to Childers, the album reflects a period of artistic and personal liberation, embracing both reverence for tradition and curiosity for the unknown.[2][3]
Snipe Hunter was officially announced in May 2025, accompanied by the release of the long-awaited studio version of "Nose on the Grindstone."[4] Previously a fan-favorite live track, the song explores the intergenerational toll of opioid addiction in Appalachia, making it a fitting introduction to the album's broader themes of pain, healing, and resilience.[4]
The album was released on July 25, 2025, via Childers' Hickman Holler Records in partnership with RCA Records. Ahead of the release, Childers performed "Long Violent History" live for the first time at the Hollywood Bowl, further signaling a new phase of vulnerability and social engagement in his work.[4] A headline tour supporting Snipe Hunter began in July 2025 and ran through November, including a featured appearance at Healing Appalachia, a festival dedicated to addiction recovery.[4]
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Composition and themes
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Musically, Snipe Hunter incorporates Appalachian folk, outlaw country, electric rock, gospel choirs, ragtime, and even elements of Indian devotional music.[5][2] Lyrically, the album is a tapestry of spiritual reflection, rural mythology, cultural memory, and existential pondering. Tracks like "Tirtha Yatra" and "Tomcat and a Dandy" draw inspiration from Hindu pilgrimage narratives, while the title track presents an allegorical tale of hubris and reckoning.[5][2]
Childers blends the metaphysical with the mundane throughout the album. On "Eatin' Big Time," he snarls through a chaotic narrative of rural excess and gutted prey, while "Cuttin' Teeth" evokes his early days as a struggling musician, living gig to gig with "a bunch of West Virginia deadbeats."[2] "Getting to the Bottom" reflects on sobriety and personal growth, featuring Childers questioning where his former drinking companions ended up.[2][6] Songs like "Bitin' List," a brash anthem with comic ferocity, and "Down Under," a quirky dive into Australian ecology, show Childers' willingness to defy expectations and toy with genre conventions.[5][2][7] Even reworked older material like "Nose on the Grindstone" gains new layers under Rubin's spacious, bass-heavy production.[4]
Critics have described the album as mythic, restless, and rooted, terms that capture its fusion of cosmic exploration and regional identity.[5] The presence of gospel-style choirs, especially on "Tirtha Yatra," further underscores the album's thematic obsession with redemption, legacy, and transformation.[5][3]
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Critical reception
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Snipe Hunter received widespread acclaim from critics upon release. At Metacritic, which assigns a rating out of 100 to reviews from professional publications, the album received a weighted average score of 87, based on six reviews, which the website categorized as "universal acclaim".[8]
Reviewers praised the album's emotional complexity, sonic boldness, and the clarity of Childers' storytelling. Holler awarded the album a 9.1 out of 10, calling it "Childers at his most musically adventurous yet still deeply rooted" and praising its balance of "silence and chaos."[5] Caitlin Hall of Holler described the album as "expansive, strange, but unshakably grounded," noting its vulnerable character work and seamless blend of rural imagery and cosmic questions.[5] Fellow Holler reviewer Alli Patton rated it a 9.5/10, calling Snipe Hunter "an unsightly, eviscerating, necessary process," and praised the song "Tirtha Yatra" as "the most magnetic song I've ever heard."[5]
Rolling Stone highlighted the album's inventive range, noting its unexpected detours and its capacity to hold space for both "bootlegger fiddle music" and spiritual chants.[10] Reviewer Daisy Innes drew comparisons to Sturgill Simpson's Sound & Fury and declared Snipe Hunter a strong contender for album of the year.[5] Pitchfork awarded the album an 7.8, celebrating its unpredictability and Rubin's production style.[2]
Comparisons were drawn to artists like Willie Nelson, Jason Isbell, Bob Dylan, and Garth Hudson, though many critics emphasized that Snipe Hunter remains a uniquely personal and inimitable work.[5][2][11]
Track listing
All tracks are written by Tyler Childers.
Personnel
- Tyler Childers – vocals (all tracks), percussion, additional producer (1), acoustic guitar (2–4, 6, 9), electric guitar (8), fiddle, background vocals (12)
- James Barker – pedal steel guitar (tracks 1–4, 8, 10, 11, 13), electric guitar (2, 5, 7), acoustic guitar (9), background vocals (13)
- Craig Burletic – bass (tracks 1–5, 7–11), background vocals (2, 5, 8, 13), background vocals (13)
- C. J. Cain – acoustic guitar (tracks 1, 4, 5, 8–10), electric guitar (2, 3, 5, 7, 11)
- Kory Caudill – piano (tracks 1, 3, 8, 9), synthesizer (1, 4), organ (2, 5–7, 9–11), Wurlitzer piano (4, 11, 13), harpsichord (4), background vocals (5, 8), clavinet (7, 11), synth bass (8), cymbal (12)
- Rod Elkins – drums (tracks 1–5, 7–11, 13), percussion (1–5, 7–9, 11, 13)
- Matt Rowland – organ (track 1), piano (2, 11), accordion (3, 9, 10, 12), vocoder (4, 5, 7), Wurlitzer piano (7), background vocals (8, 9, 12, 13), synthesizer (8), mandolin (9), programming (13)
- Jesse Wells – electric guitar (tracks 1, 2, 4, 5, 7, 8, 13), fiddle (3, 11, 12), banjo (5, 9), mandolin, background vocals (9), acoustic guitar (10)
- Nick Sanborn – additional producer (tracks 1–5, 7, 10–12), additional engineer (1–5, 7, 11, 12), percussion (1, 2, 7, 9, 13), synthesizer (1, 8, 9, 12, 13), tubular bells (8), vocoder (9), organ (12)
- Alex Sauser-Monnig – background vocals (tracks 2, 4, 5, 7, 13)
- Amelia Meath – background vocals (tracks 2, 4, 5, 7, 13)
- Emma Delvante – tubular bells (track 4)
- Oliver Child-Lanning – harp (tracks 5, 13), additional producer (13)
- Kenny Miles – background vocals (track 9)
- Rick Rubin – producer (all tracks)
- Ryan Hewitt – engineer (tracks 1–3, 6, 9, 11–13)
- Louis Remenapp – assistant engineer (tracks 1–3, 6, 9–13)
- Alli Rogers – engineer (tracks 1–9, 11–13)
- Shawn Everett – mixing (tracks 1–13)
- Ian Gold – assistant mixing (tracks 1–5, 7–13)
- Greg Calbi – mastering (tracks 1–13)
- Steve Fallone – mastering (tracks 1–5, 7–13)
- Jason Lader – engineer (tracks 4, 5, 7, 8)
- Tyler Harris – engineer (tracks 4, 5, 7, 8)
- Cole Elias – assistant engineer (tracks 4, 5, 7, 8)
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References
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