Season |
Title |
Playwright |
Director |
Awards |
Producing Partners |
1975–76
(Season 1) |
19 Mercer Street |
Key Largo[20] |
Maxwell Anderson |
Jerry Engelbach |
|
|
The Master Builder[53] |
Henrik Ibsen |
Marlene Swartz |
|
|
Coriolanus |
William Shakespeare |
Jerry Engelbach |
|
|
The Congresswomen |
Aristophanes, translation and music by William and Billie Snow |
Marlene Swartz |
|
|
The Infernal Machine |
Jean Cocteau |
Michael Wright |
|
|
Anna Christie[54] |
Eugene O'Neill |
Marlene Swartz |
|
|
Heartbreak House[54] |
George Bernard Shaw |
Jerry Engelbach |
|
|
The Father[54] |
August Strindberg, adapted by Jonathan Furst |
Jonathan Furst |
|
|
Abelard and Eloise[55] |
Ronald Duncan |
Charles Conwell |
|
|
The Imaginary Invalid[56] |
Molière, translation by Frances Kosbab |
Marlene Swartz |
|
|
Bimbos in Paradise[57] |
B. Prune |
Michael Wright |
|
|
Private Lives[58] |
Noël Coward |
Jack H. Cunningham |
|
|
Candida[58] |
George Bernard Shaw |
Jerry Engelbach |
|
|
1976–77
(Season 2) |
Six Play Subscription Costs $12 |
The Birthday Party[59] |
Harold Pinter |
Marlene Swartz |
|
|
Dracula[60] |
Bram Stoker, adapted by Jerry Engelbach |
Jerry Engelbach |
|
|
Faustus X Seven |
Based on "Doctor Faustus," by Christopher Marlowe, adapted by Jerry Engelbach |
Carol Corwen and Jerry Engelbach |
|
|
The Merchant of Venice[54] |
William Shakespeare |
Marlene Swartz |
|
|
Billy Liar[61] |
Keith Waterhouse and Willis Hall |
Jerry Engelbach |
|
|
Uncle Vanya[62] |
Anton Chekhov, adapted by Marlene Swartz |
Marlene Swartz |
|
|
Spring's Awakening[62] |
Frank Wedekind, adapted by Carol Corwen and Mary Eileen O'Donnell |
Carol Corwen |
|
|
Back to Methuselah[62] |
George Bernard Shaw |
Stephen R. Lieb |
|
|
What the Butler Saw[63] |
Joe Orton |
Marlene Swartz |
|
|
The Dock Brief[54] |
John Mortimer |
Steven Burch |
|
|
The Public Eye[54] |
Peter Shaffer |
Stephen R. Lieb |
|
|
Black Comedy[62] |
Peter Shaffer |
Frank Cento |
|
|
Under Milk Wood[62] |
Dylan Thomas |
Harrison Ewing |
|
|
July 2 and Thanksgiving |
Stan Kaplan |
Jerry Engelbach |
|
|
Rain |
John Colton and Clemence Randolph, based on the novel by W. Somerset Maugham |
Jack H. Cunningham |
|
|
Ghosts |
Henrik Ibsen |
Marlene Swartz |
|
|
1977–78
(Season 3) |
Misalliance |
George Bernard Shaw |
Trueman Kelley |
|
|
The Miser |
Molière |
Moshe Yassur |
|
|
Peer Gynt |
Henrik Ibsen, adapted by Carol Corwen |
Carol Corwen |
|
|
The Chairs |
Eugène Ionesco |
Jon Fraser |
|
|
Better Dead |
Georges Feydeau, adapted by Jude Schanzer and Michael Wells |
Jude Schanzer |
|
|
Cyrano DeBergerac |
Edmond Rostand |
Jerry Engelbach |
|
|
Poe in Person, one-man show |
Conrad Pomerleau |
Conrad Pomerleau |
|
|
Traveler Without Luggage |
Jean Anouih |
Marlene Swartz |
|
|
The Play's the Thing |
Ferenc Molnár |
Jack H. Cunningham |
|
|
Mister T |
Michael Zettler |
Stephen Zuckerman |
|
|
The Killing of Sister George |
Frank Marcus |
Marlene Swartz |
|
|
The Magistrate |
Arthur Wing Pinero |
Jim Milton |
|
|
The Four Little Girls |
Pablo Picasso |
Richard Gershman |
|
|
The Soho Theatre of the Air, an evening of vintage radio plays |
Conceived and Adapted by Carol Corwen |
Carol Corwen |
|
|
The Real Inspector Hound |
Tom Stoppard |
Timothy Brennan |
|
|
Philadelphia, Here I Come! |
Brian Friel |
Ron Daley |
|
|
1978–79
(Season 4) |
One Act Festival Opened Jan 5th, 1979. Cost: $10 for Festival Pass; $3 per show. |
Overruled! |
George Bernard Shaw |
Gene Santarelli |
Villager Downtown Theatre Award for a commitment to the presentation of a program of short plays |
|
The Love of Don Perimplin and Belisa in the Garden |
Federico García Lorca |
Mary Ryder |
|
Only 10 Minutes to Buffalo |
Gunter Grass |
Alison Mackenzie |
|
Guernica |
Fernando Arrabal |
Mitchell Engelmeyer |
|
Action |
Sam Shepard |
Chris Silva |
|
Deathwatch |
Jean Genet |
Denise Merat |
|
If You Had Three Husbands |
Gertrude Stein, adapted by Randy Knolle |
Randy Knolle |
|
The Twelve-Pound Look |
J. M. Barrie |
Alison Mackenzie |
|
Richard III |
William Shakespeare |
Jerry Engelbach |
|
Miss Jairus |
Michel DeGhelderode |
Carol Corwen |
|
Dandy Dick |
Arthur Wing Pinero |
Gene Santarelli |
|
Inadmissible Evidence |
John Osborne |
Marlene Swartz |
|
The Knights of the Round Table |
Jean Cocteau |
Jerry Engelbach |
|
Amphitryon 38 |
Jean Giraudoux |
Jude Schanzer |
|
The Servant |
Robin Maugham |
Marlene Swartz |
|
Fallen Angels |
Noël Coward |
Trueman Kelley |
|
October 12, 410 B.C. (Thesmophoriazusae) |
Aristophanes |
Alison Mackenzie |
|
Requiem for a Heavyweight |
Rod Serling |
Richard Leighton |
|
1979–80
(Season 5) |
The Insect Comedy |
Karel & Joseph Čapek |
Trueman Kelley |
|
|
The Cannibals |
George Tabori |
Carol Corwen |
|
|
The Barber of Seville |
Pierre Beaumarchais |
Alison Mackenzie |
|
|
We Have Always Lived in the Castle |
Hugh Wheeler, from the book by Shirley Jackson |
Gene Santarelli |
|
|
The Silver Tassie |
Séan O'Casey |
Carey Perloff |
|
|
Twelfth Night |
William Shakespeare |
Stephen Brant |
|
|
The Second Man |
S. N. Behrman |
Jude Schanzer |
|
|
Feathertop |
From a short story by Nathaniel Hawthorne, adapted by Truman Kelley |
Trueman Kelley |
|
|
The Ugly Duckling |
A. A. Milne |
Trueman Kelley |
|
|
Brewsie and Willie |
Gertrude Stein |
Michael Bloom |
|
|
Homefires |
John Guare |
Michael Bloom |
|
|
Fairy Tales of New York |
J. P. Donleavy |
Jerry Engelbach |
|
|
The Caretaker |
Harold Pinter |
Marlene Swartz |
|
|
The Gamblers |
Nikolai Gogol |
Penelope Hirsch |
|
|
Old Possum's Book of Practical Cats |
T. S. Eliot, adapted for the stage by Jonathan Foster, music by Elyse Goodwin |
Jonathan Foster |
|
|
The Tricycle |
Fernando Arrabal |
N/A |
|
|
The Party |
Sławomir Mrożek |
N/A |
|
|
1980–81
(Season 6) |
Desire Caught by the Tail |
Pablo Picasso |
Jonathan Foster |
|
|
The Idol Makers |
Stephen Davis Parks |
Marlene Swartz |
"Villager Downtown Theatre Award" for Directing |
|
The Streets of New York, also known as The Poor of New York |
Dion Boucicault |
Trueman Kelley |
|
|
Dark Ride |
Len Jenkin |
Len Jenkin |
|
|
Love in the Country |
Book and lyrics by Michael Alfreds, music by Anthony Bowles |
Anthony Bowles |
|
|
The Doctor and the Devils |
Dylan Thomas |
Carol Corwen |
|
|
Old Times |
Harold Pinter |
Jerry Engelbach |
|
|
1981–82
(Season 7) |
The Girl Who Ate Chicken Bones |
Book by Stan Kaplan, music by David Hollister, lyrics by Stan Kaplan and David Hollister |
Marlene Swartz |
|
|
One-Act Operas:
- The Audience
- Mr. Lion
- Miyako
|
Libretto by Glenn Miller, music by Royce Dembo |
Scott Clugstone |
|
Golden Fleece Ltd. |
Music and libretto by Linder Chlarson |
Lou Rodgers |
|
Lou Rodgers |
Lou Rodgers |
|
Nathan the Wise |
Gotthold Ephraim Lessing |
Jerry Engelbach |
|
|
Subject to Fits |
Robert Montgomery, based on Dostoevsky's The Idiot |
Barry Koron |
|
|
Barbarians |
Barrie Keeffe |
Peter Byrne |
Featured Kevin Spacey |
|
1982–83
(Season 8) |
Fanshen |
David Hare |
Michael Bloom |
|
|
The Life and Death of Tom Thumb the Great |
Henry Fielding, music by Anthony Bowles |
Anthony Bowles |
|
|
Kid Twist |
Len Jenkin |
Tony Barsha |
|
|
Rape Upon Rape |
Henry Fielding |
Anthony Bowles |
|
|
1983–84
(Season 9) |
Under the Gaslight |
Augustin Daly |
Stephen Wyman |
|
|
Mandrake |
Book and lyrics by Michael Alfreds, music by Anthony Bowles |
Anthony Bowles |
|
|
Catchpenny Twist |
Stewart Parker, music by Shaun Davey |
Marlene Swartz |
|
|
The Wood Painting |
Ingmar Bergman |
Alan Wynroth |
|
|
Yes is for a Very Young Man |
Gertrude Stein |
Robert P. Barron |
|
|
The Business of Good Government |
John Arden |
Jerry Engelbach |
|
|
Bertha, Queen of Norway |
Kenneth Koch |
Steven Brant |
|
|
George Washington Crosses the Delaware |
Kenneth Koch |
Steven Brant |
|
|
The Dwarfs |
Harold Pinter |
Jerry Engelbach |
|
|
Lenz |
Mike Stott, based on a fragment by Georg Büchner |
N/A |
|
|
1984–85
(Season 10) |
Theater moves to Bellevue Hospital in January 1985 |
The Crimes of Vautrin |
Nicholas Wright, based on the novel by Honoré de Balzac: Splendeurs et Miseresdes Courtisanes |
Carol Corwen |
|
|
Energumen |
Mac Wellman |
Rebecca Harrison |
|
|
Almos' A Man |
Paris Barclay, based on Richard Wright's short story, The Man Who Was Almost a Man |
Tazewell Thompson |
|
|
The Winter's Tale |
William Shakespeare |
Anthony Bowles |
|
|
1985–86
(Season 11) |
Theater moves to Greenwich House, 27 Barrow Street |
The Two Orphans |
Cormon and D'Ennery (Les deux orphelines), original music by Marshall Coid |
Julian Webber |
|
|
One Fine Day |
Nicholas Wright |
Tazewell Thompson |
|
|
The Grub Street Opera |
Henry Fielding, new music by Anthony Bowles |
Anthony Bowles |
|
|
1986–87
(Season 12) |
The Ragged Trousered Philanthropists |
Stephen Lowe |
Julian Webber |
|
|
Sergeant Ola and his Followers |
David Lan |
Tazewell Thompson |
|
|
The Mock Doctor |
Henry Fielding, music by Anthony Bowles |
Anthony Bowles |
|
|
Eurydice |
Henry Fielding, music by Anthony Bowles |
Anthony Bowles |
|
|
1987–88
(Season 13) |
The Racket |
Bartlett Cormack |
Michael Bloom |
|
|
The Girl of the Golden West |
David Belasco |
Julian Webber |
|
|
A Cup of Coffee |
Preston Sturges |
Larry Carpenter |
|
|
1988–89
(Season 14) |
The Blitzstein Project |
Marc Blitzstein |
Carol Corwen |
|
|
The Phantom Lady |
Pedro Calderón de la Barca, translated by Edwin Honig |
Julian Webber |
|
|
The Cezanne Syndrome |
Normand Canac-Marquis, translated by Louison Denis |
N/A |
|
|
1989–90
(Season 15) |
Limbo Tales |
Len Jenkin |
Thomas Babe |
|
|
American Bagpipes |
Iain Heggie |
Julian Webber |
|
|
1990–91
(Season 16) |
Theater is established at 46 Walker Street
Julian Webber is hired as Co-Artistic Director (with Marlene Swartz) |
Native Speech |
Eric Overmyer |
John Pynchon Holms |
|
|
Yokohama Duty |
Quincy Long |
Julian Webber |
|
|
Two Gentlemen of Verona |
William Shakespeare, adapted by Mark Milbauer and David Becker |
Mark Milbauer and David Becker |
|
Cucaracha Theater |
Hanging the President |
Michele Celeste |
|
|
|
1991–92
(Season 17) |
7 Blowjobs |
Mac Wellman |
Jim Simpson |
|
|
Tone Clusters |
Joyce Carol Oates |
Julian Webber |
|
|
1992–93
(Season 18) |
Three Americanisms |
Mac Wellman |
Jim Simpson |
|
|
Cross Dressing in the Depression |
Erin Cressida Wilson |
|
|
|
Mormons in Malibu |
Wendy Hammond |
|
|
|
1993–94
(Season 19) |
David's Red-Haired Death |
Sherry Kramer |
|
|
|
Terminal Hip |
Mac Wellman |
|
|
|
Careless Love |
Len Jenkin |
|
|
|
Dracula |
Mac Wellman |
Julian Webber |
featured Tim Blake Nelson |
|
Hollywood Hustle |
written and performed by Jeremiah Bosgang |
Rob Greenberg |
|
|
Exchange |
Yuri Trifonov, translated and adapted by Michael Frayn |
Peter Westerhoff |
|
|
Swoop |
Mac Wellman |
Julian Webber |
|
|
Women Behind Bars |
Tom Eyen |
|
|
|
1994–95
(Season 20) |
The House of Yes |
Wendy MacLeod |
|
|
|
Skin |
Naomi Iizuka |
|
|
|
Frank, Frank |
|
|
|
|
Titus Andronicus |
William Shakespeare |
Lester Shane |
|
|
Measure for Measure |
William Shakespeare |
Jared Hammond |
|
|
1995–96
(Season 21) |
Dark Ride (revival of 1981 production) |
Len Jenkin |
Julian Webber |
|
|
Wally's Ghost |
Ain Gordon |
|
OBIE, Playwriting |
|
1997–98
(Season 23) |
A Devil Inside |
David Lindsay-Abaire |
Julian Webber |
|
|
Fnu Lnu |
Mac Wellman, original music by David Van Tieghem |
Julian Webber |
|
|
How to Write While You Sleep[64] |
Madeleine Olnek |
Lisa Portes |
|
|
1998–99
(Season 24) |
Cowboys and Indians |
Richard Maxwell and Jim Strahs |
Richard Maxwell |
|
|
Quartet |
Heiner Müller |
|
|
|
The Escapist |
The Flying Machine |
|
|
|
Alice's Evidence |
Ellen Beckerman |
|
|
|
1999–2000
(Season 25) |
R&D: Research & Development |
new work development series featuring Mac Wellman, Richard Maxwell, and Maria Shron |
|
|
|
The Year of the Baby |
Quincy Long, composed by Maury Loeb, based on a play by Stephen Foster |
Daniel Aukin |
|
|
Hypatia |
Mac Wellman |
Bob McGrath |
|
|
2000–01
(Season 26) |
Cat's-Paw |
Mac Wellman |
Daniel Aukin |
|
|
Caveman |
Richard Maxwell |
Richard Maxwell |
|
|
Boxing 2000 |
Richard Maxwell |
|
|
|
2001–02
(Season 27) |
[sic] |
Melissa James Gibson |
Daniel Aukin |
OBIE, Playwriting
OBIE, Special Citation, Direction
OBIE, Special Citation, Set Design |
|
Attempts On Her Life |
Martin Crimp |
Steve Cosson |
|
|
2002–03
(Season 28) |
Signals of Distress |
created and performed by members of the Flying Machine; adapted by Joshua Carlebach from the novel by Jim Crace |
Joshua Carlebach |
|
|
Molly's Dream |
María Irene Fornés |
Daniel Aukin |
OBIE, Special Citation |
|
2003–04
(Season 29) |
Suitcase, or Those That Resemble
Flies from a Distance |
Melissa James Gibson |
Daniel Aukin |
|
True Love Productions |
The Appeal |
Young Jean Lee |
Young Jean Lee |
|
|
2004–05
(Season 30) |
Everything Will Be Different (later retitled A Brief History of Helen of Troy) |
Mark Schultz |
Daniel Aukin |
|
|
Frankenstein |
adapted by Joshua Carlebach from the novel by Mary Shelley |
Joshua Carlebach |
|
|
2005–06
(Season 31) |
Not Clown |
Carlos Treviño and Steve Moore |
Carlos Treviño |
|
|
Peninsula |
Madelyn Kent |
Madelyn Kent |
|
|
2006–07
(Season 32) |
Thugs |
Adam Bock |
Anne Kauffman |
OBIE, Playwriting
OBIE, Ross Wetzsteon Award |
|
2007–08
(Season 33) |
Sarah Benson begins tenure as Artistic Director
Soho Rep. begins producing under Off-Broadway Equity Contract |
Philoktetes |
John Jesurun, adapted from Sophocles' original |
John Jesurun |
|
|
No Dice |
Nature Theater of Oklahoma |
|
OBIE, Special Citation |
|
2008–09
(Season 34) |
Blasted |
Sarah Kane |
Sarah Benson |
OBIE, Special Citation, Direction[14][65][66]
OBIE, Special Citation, Set Design, Drama Desk nomination |
|
Sixty Miles to Silver Lake |
Dan LeFranc |
Anne Kauffman |
New York Times Outstanding
Playwright Award |
|
Rambo Solo |
conceived by Pavol Liska and Kelly Copper in conversation with Zachary Oberzan |
Pavol Liska and Kelly Copper |
|
Nature Theater of Oklahoma |
2009–10
(Season 35) |
Lear |
Young Jean Lee, adapted from King Lear by William Shakespeare, choreographed by Dean Moss |
Young Jean Lee |
|
|
The Truth: A Tragedy |
written, composed, and performed by Cynthia Hopkins |
DJ Mendel |
|
|
2010–11
(Season 36) |
Orange, Hat & Grace |
Gregory Moss |
Sarah Benson |
|
|
Jomama Jones * Radiate |
performed by Daniel Alexander Jones, music direction by Bobby Halvorson |
Kym Moore |
|
|
born bad |
debbie tucker green |
Leah C. Gardiner |
OBIE, Special Citation, Playwriting
OBIE, Special Citation, Directing |
|
2011–12
(Season 37) |
Elective Affinities |
David Adjmi |
Sarah Benson[14][67][68] |
Featured Zoe Caldwell |
Piece by Piece Productions
and Rising Phoenix Repertory |
The Ugly One |
Marius von Mayenburg |
Daniel Aukin |
|
The Play Company, John
Adrian Selzer |
Uncle Vanya |
Annie Baker, adapted from Anton Chekhov's original |
Sam Gold |
|
John Adrian Selzer |
2012–13
(Season 38) |
We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, from the German Sudwestafrika Between the Years 1884–1915 |
Jackie Sibblies Drury |
Eric Ting |
OBIE, Direction |
John Adrian Selzer |
Life and Times, Episodes 1–4 |
conceived by Pavol Liska and Kelly Copper in conversation with Kristin Worrall |
Pavol Liska and Kelly
Copper |
OBIE, Special Citation |
Nature Theater of Oklahoma,
Burgtheater in Vienna, The
Public Theater, John Adrian
Selzer |
A Public Reading of an Unproduced Screenplay About the Death of Walt Disney |
Lucas Hnath |
Sarah Benson |
OBIE, Performance (Larry Pine)[14][68] |
John Adrian Selzer |
2013–14
(Season 39) |
Marie Antionette |
David Adjmi |
Rebecca Taichman |
|
John Adrian Selzer, American
Repertory Theater, Yale
Repertory Theater |
An Octoroon |
Branden Jacobs-Jenkins; songs, score, and
musical direction by César Alvarez, choreography
by David Neumann |
Sarah Benson |
OBIE, Performance (Chris Myers)[69][70]
OBIE, Best New American Play[68] |
John Adrian Selzer |
2014–15
(Season 40) |
generations |
debbie tucker green |
Leah C. Gardiner |
|
The Play Company, John
Adrian Selzer |
Winners and Losers |
created and performed by Marcus Youssef and James Long |
Chris Abraham |
|
|
10 out of 12 |
Anne Washburn |
Les Waters |
|
John Adrian Selzer |
2015–16
(Season 41) |
FUTURITY |
lyrics and book by César Alvarez, music by César Alvarez with The Lisps |
Sarah Benson |
Lortel Award, Outstanding Musical[71][72][73] |
Carole Shorenstein Hays,
Ars Nova |
Revolt. She Said. Revolt Again. |
Alice Birch |
Lileana Blain-Cruz |
|
John Adrian Selzer |
2016–17
(Season 42) |
Duat |
Daniel Alexander Jones, with new music by Samora Pinderhughes, Bobby Halvorson, and Jomama Jones |
Will Davis |
|
|
[untitled new play] |
Jackie Sibblies Drury |
Sarah Benson |
|
|
In The Blood |
Suzan-Lori Parks |
Sarah Benson |
|
[68][74] |
Samara |
Richard Maxwell, with original music by Steve Earle |
Sarah Benson |
[68] |
John Adrian Selzer |
2017–18
(Season 43) |
Is God Is |
Aleshea Harris |
Taibi Magar |
American Playwriting Foundation Relentless Award 2016 |
|
[studio] |
Alice Birch, Narcissister, Carmelita Tropicana and Branden Jacobs-Jenkins, Kate Tarker, Becca Blackwell |
|
|
|
Fairview |
Jackie Sibblies Drury |
Sarah Benson |
Pulitzer Prize for Drama 2019; Drama Desk nomination[75][76][77][78][79] |
2018–19
(Season 44) |
Thunderbodies |
Kate Tarker |
Lileana Blain-Cruz |
|
|
Passage |
Christopher Chen |
Saheem Ali |
|
|
2019–20
(Season 45) |
for all the women who thought they were Mad |
Zawe Ashton |
Whitney White |
|
|
2021–22
(Season 46) |
while you were partying |
|
|
|
|
Wolf Play |
Hansol Jung |
Dustin Wills |
|
|
Notes on Killing Seven Oversight, Management and Economic Stability Board Members |
Mara Vélez Meléndez |
David Mendizábal |
|
|
2022–23
(Season 47) |
Montag |
Kate Tarker, with original music by Daniel Schlossberg |
Dustin Wills |
|
|