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Space Goofs
French animated television series From Wikipedia, the free encyclopedia
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Space Goofs (French: Les Zinzins de l'Espace) is a French animated series that was produced by Gaumont Multimedia for its first season and Xilam for its second season, produced for France 3, and broadcast on that network from September 6, 1997 to May 12, 2006. The first season was also on Fox Kids in the United States from 1997–2000, while the second season aired internationally.
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The series also served as the basis of an adventure game, developed by Xilam themselves and published by Ubisoft for Windows and Dreamcast called Stupid Invaders in 2000 – which was dedicated to its co-creator, Jean-Yves Raimbaud. In contrast to the original show, it featured plenty of toilet humor and slightly more crude, adult content. It also was the first work produced by Xilam to be made for an older audience – the others being the adult animated movies I Lost My Body and Kaena: The Prophecy, and the adult animated series Mr. Baby and Twilight of the Gods.[1]
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Plot
Five extraterrestrials from the fictitious planet Zigma B, Candy H. Caramella, Etno Polino, Bud Budiovitch, Gorgious Klatoo and Stereo Monovici, go on a picnic together in space. However, their spaceship crashes into an asteroid, and they fall to planet Earth. They realize that if any human finds out that they are aliens, they could be captured and experimented on by scientists, so they take shelter in the attic of a house that is up for rent.
The aliens have two goals: return to their home planet, and chase away anybody who tries to establish themselves in the house. To remain unknown from humans, the aliens use a device called the SMTV that lets them transform into almost any entity of their choosing, but always cycles through three other unrelated transformations (as a running gag) when used.
In the second season, Stereo is now no longer part of the main cast, with said character only being bought back for two episodes. An explanation was provided where Stereo has somehow managed to get back to Zigma B, so Candy, Etno, Bud and Gorgious continue to find a way back home.
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Characters
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Etno Polino
- Voiced by (French): Peter Hudson (season 1), Bernard Alane (season 2)
- Voiced by (English): Maurice LaMarche
- Being short and purple with red lips, a big red nose and red eyes, Etno is the leader and brains of the group. A scientific genius, he creates all sorts of machines with the intention of aiding the group's return to their own planet, including rockets. The aliens often fail to blast off into space, either due to Etno's rockets malfunctioning or someone else boarding the ships. In both the original French and English dubs, he speaks with an English accent, but in the English dub, he also has a rather fast-paced manner of speech, vaguely reminiscent of those found in educational films about space exploration from the 1950s.
Candy Hector Caramella
- Voiced by (French): Éric Le Roch (season 1), Éric Métayer (season 2)
- Voiced by (English): Charlie Adler
- Small and green, with a wrinkled forehead, red eyes, and wearing a polka-dotted apron, Candy is the uptight neat freak of the group. He is homosexual (often choosing to disguise himself as a woman, unlike the other aliens in the house), and it is not uncommon to see him flirt with other men. He is very energetic (often cleaning around the house). In both the French and English versions, Candy's voice parodies a sophisticated English accent.
Bud Budiovitch
- Voiced by (French): Marc Brettonière (season 1), Éric Métayer (season 2)
- Voiced by (English): Jeff Bennett (season 1), James Louis Gomez-Garneau (season 2)
- Tall and orange with three strands of hair, a long neck, and big pink bloodshot eyes, Bud is lazy and naÏve. He is a television addict and spends most of the time sitting in front of it and drinking soft drinks. Like Etno, Bud is laid-back and usually the last one to panic in a situation. He always comes up with the best solution, but most of the time no one will listen to him.
Gorgious Klatoo
- Voiced by (French): Patrick Préjean
- Voiced by (English): Michael Sicoly (earlier episodes), Danny Mann (onward)
- Fat and blue with a heavy chin, green eyes and a protruding tooth, Gorgious is the grumpy and snarky one of the group. He is very greedy and his hobbies consist of eating, lazing around, and bullying his friends, although he is shown at several points in the series to care deeply about them underneath his gruff exterior.
Stereo Monovici
- Voiced by (French): Antoine Tomé (season 1), Patrick Guillemin (season 2)
- Voiced by (English): Jeff Bennett (season 1), Danny Mann (season 2)
- Two-headed and red in which each head has a slightly long nose and green eyes, Stereo acts as two people since each head has its own mind. Early episodes portray him as the "bookworm" of the group who often wastes his intelligence on the most useless information. Stereo is very energetic (like Candy) and is usually feeling happy. Both heads sometimes argue with each other. Stereo was removed from the series for Season 2 (as Xilam considered him a weak character), but reappeared in two segments of that season ("Other World Champs" and "UFO"). One of the heads speaks with a distinct, high-pitched voice, while the other head speaks with a rather low-pitched one.
Almost every episode features a new visitor, à la a "villain of the week" formula, who will come to the presumed "vacant" home. These visitors come in a weird variety of characters (mostly humans, but sometimes animals like pigs and birds, and even other aliens). While the credits do not specify who, additional voices include[citation needed]:
- Jim Cummings
- Billy West
- Carlos Alazraqui
- Rob Paulsen
- Kevin Michael Richardson
- Tom Kenny
- Laraine Newman
- Frank Welker
- Kath Soucie
- Grey DeLisle
- Tara Strong
- Susanne Blakeslee
- Kat Cressida
- Michelle Layton
- Jessica DiCicco
- Jackie Gonneau
- Sirena Irwin
- Carolyn Lawrence
- Terrence Scammell
Some characters are voiced by the main cast. This is especially more prevalent in Season 2.
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Production
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The show's producer, Marc du Pontavice, met creator Jean-Yves Raimbaud at the 1993 Annecy International Animation Film Festival, where their first meetings went very well. One such meeting was when Raimbaud invited Pontavice to his studio, Jingle. Jean had several projects, and one of them, Maison à louer (Home to Rent), particularly caught Marc's attention. When Jean-Yves spoke to Marc about the series, he mentioned a reference he hadn't yet heard of: The Ren & Stimpy Show. When Marc du Pontavice watched the series upon his return to Paris, he was captivated and impressed by the characters and its groundbreaking animation. Jean-Yves and Marc were convinced that this was the model upon which the future of French animation should be built. Jean's projects and John Kricfalusi's model enthused Marc. Jean-Yves was the first artist hired by Marc.[2]
In the autumn of 1994, Pontavice traveled throughout the United States to present several projects he was working on. He had a presentation of Space Goofs with the entire visual concept full of designs with a silhouette so un-childlike and entirely constructed according to its character, the principle of light in a very colorful square on a black background and the aliens' house with proportions. All the sets were created by the series' co-creator, Philippe Traversat.[2]
One of his appointments took him to the office of the head of children's programming at CBS in Los Angeles, where he was surprised to see his interlocutor turn around and return the message he had presented after a brief, well-structured pitch. Marc hadn't imagined that an American network would be so interested in a project like this, as their tastes are usually quite reasonable, and he showed the series by chance at the end of the meeting, after having tried other, less surprising projects. Unbeknownst to him, Marc was happy about this, because CBS's ratings began to fall in the face of competition from Nickelodeon, so he left the meeting with the promise of a development deal, much to his delight. However, Marc discovers that the network intends to maintain total editorial control and impose its American authors, with the obvious risk of turning them into mere executors, since American animation dominates the world and the market had never seen a French cartoon on its screens, as they have an almost abysmal advantage over them.[2]
Due to the network's terrible proposal, CBS is discarded and France 3 enters the production of the series. Bertrand Mosca, who was preparing to seize power, was irritated by the success of the Highlander cartoon and especially by the fact that Marc hadn't thought to present it to him. He is attracted to the show's transgressive side, which is quite audacious for a public service broadcasting program at the time. Mosca took the rare risk of committing to the series against the advice of his colleagues at the channel, and he gives it the largest budget ever granted to a public service television animation. It wasn't enough to balance the budget, but it was a good amount.[2]
Germany's ProSieben also gets involved in the show, and Marie-Line Petrequin, like Bertrand Mosca, is bored with the somewhat classic programs that were being aired and dreamed of something new. A few months before they met, she had been charmed by Jean-Yves and couldn't stop wanting to work with him. She would become one of Marc's most fervent supporters in the following years. And they close the deal with the support of Italy's Mediaset. Marc du Pontavice feels that there's a point when networks are ready to play the game, but he doesn't say anything about it to Gaumont, hoping that international sales will offset the excesses he anticipated.[2]
A pilot was produced in early 1995, a kind of three-minute short film that allowed them to test all phases of production before launching the bulk of it. Jean volunteered to direct and animate the pilot. Although the result was honorable, it was really far from their American model, as the project seemed more like a pale copy of the Disney style and the production lacked rhythm. He seeks out the Ren and Stimpy team, who served as the model for the show; he convinces, with great difficulty, Bob Jaques and Kelly Armstrong to come and spend a year in Paris to launch the series and train young talent. They are joined by their Ren and Stimpy colleagues, Bob Camp and Jim Gomez, who provided voice direction in Los Angeles at Gunther Wahl studio and helped with some episode scripts for the series. Jim brought voice actors for the American dub of the show, such as Charlie Adler (Candy), Maurice LaMarche (Etno), Danny Mann (Gorgious), Jeff Bennett (Bud and Stereo), and several others. In addition to the American series team, there was Olivier Jean-Marie in animation direction, Thomas Szabó in storyboarding, Nicolas Gallet in scriptwriting, Hugo Gittard in character design, and Hughes Mahoas in set design.[2]
Since part of the animation was done at Sunwoo Entertainment and Big Star studios, production management had to send material every week for the directors to check before sending it, but the Koreans complained that the delivered materials were incomplete. The series team later discovered that Bob Jaques and Kelly Armstrong were stealing some sheets of the sent material to disrupt production and force it to proceed as they wished.[2]
It took almost ten months for the first episode to finally reach post-production. Several episodes needed to be delivered to MIPCOM, which took place in early October 1996. The budget had fallen significantly due to these delays and the directors' demands. Marc didn't see how international sales could compensate for the deficit, and since the other two productions he launched were unsuccessful, sales from these wouldn't make up for this disaster. The series' deficit was almost 9 million francs.[2]
The image editing of the first episode was finally complete, with the animation being a luxurious, expressive, and precise masterpiece. In the following weeks, Marc didn't give up on the project, knowing that only one episode would be ready for MIPCOM, as the others had been postponed. He wanted this episode finished on time and perfect. He put on the pressure, canceled his vacation, and began participating in all the sound effects, music, and mixing sessions.[2]
One essential element for the series' success was the opening sequence, which initially was missing. This worried Marc, as he needed a signature, someone whose music reflected the series, something rock and transgressive.[2] Marc du Pontavice always believes that the opening sequence is, in a way, the signature of a series, serving two functions for him: a call to action, signaling the start of an episode and drawing the viewer into the television screen, but also playing an important role in creating lasting memories. He always wanted his opening sequences to have their own visual identity and not just a montage of clips from the series.[3]
Jean-Yves Raimbaud suggested David Bowie, of whom he was a big fan, but since Bowie was very busy, he came up with Iggy Pop. Not entirely convinced, they contacted the musician's manager, sending some images and a presentation of the series. Two weeks later, Iggy sent them a cassette tape with the opening theme accompanied by a simple guitar. A few weeks later, Marc and Jean were invited to an Iggy Pop concert in Bercy. He asked them to accompany him backstage at the end of the concert, and Iggy and Jean-Yves hit it off. Iggy Pop went to Paris a few months later to record the opening theme for the series, Monster Men at the Gaumont Multimédia studio.[2]
The first episode of the series in production order, Maybe Baby, was ready in time a few days before MIPCOM. Marc was relieved because the result was beyond anything he could have imagined; the series team was very happy. Bob Jaques and Kelly Armstrong left the series. Regarding the credits, Jaques and Armstrong stubbornly refuse to put their names on the series against the advice of their agent, not even in the first episode, which they mastered from beginning to end. They are probably convinced that the rest of the series will be of a very low standard, since it was made without them, seen as a funny disregard by Marc's team towards them, as they will in fact continue without them.[2]
The initial screenings of the episode generated polite reactions; buyers found it very entertaining, but their schedules made it difficult to watch the show if it clashed with their other cartoons. Then, a certain John arrived at their booth unannounced. He worked in Los Angeles on the editorial team at Fox, which aired Fox Kids. Two years earlier, Marc had met him during his time in Los Angeles. John came to see the result two years later, which captivated him, but he didn't say anything about it, and in the middle of the episode, he stopped watching and simply said he would return in two hours, taking the DVD with him.[2]
Marc was confused, but sensed something had happened, and that same afternoon he was summoned by Margaret Loesch and Haim Saban, who announced their intention to make him an offer. Marc had difficulty hiding his joy, as he was standing before them. Fox Kids was enjoying great success with two programs produced by Haim's company, Saban Entertainment: X-Men: The Animated Series and Power Rangers. When Pontavice learns about them, Nickelodeon is beginning to threaten their leadership, which was also the reason they bought the series.[2]
When Marc du Pontavice arrives in California a few days later, Haim does everything he can and takes Marc on a personal tour of his production studios. To his surprise, many people seem to know who Marc is during his visit. He later discovers that Haim has released the episode and impressed the artists present. Saban takes him in his limousine. Haim writes the article for Pontavice, explaining how he plans to promote Space Goofs on air. It's the first time a non-Anglo-Saxon cartoon aired on an American network. Gaumont was delighted with this news. A few days later, back in Paris, Marc signs the contract. He and his team celebrated the news at the Gaumont Multimédia studio, much to their delight.[2]
Marc du Pontavice's wife, Alix de Maistre, was chosen by him to work as post-production supervisor on the first season, a decision made by Marc himself when one episode of the series, Rip Van Etno, whose qualities and originality were obvious, was deemed completely beyond the comprehension of a children's audience. Alix understood and quickly mastered the narrative and humorous codes of the series. Highly skilled and meticulous in matters of image editing and relevant in all aspects of sound effects and mixing, she played a crucial role in the final quality of the animation.[2]
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Episodes
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Series overview
Season 1 (1997–98)
All episodes in this season were directed by Thomas Szabó and aired on Saturdays.
Season 2 (2005–06)
All episodes in this season were directed by Olivier Jean-Marie and aired on Fridays.
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Stupid Invaders
An adventure game based on Space Goofs named Stupid Invaders was released in 2000–2001 by Ubisoft. It featured crew members from its first season and the voice actors of its English dub as the five aliens, having to go back home in a surreal world, after an infiltration by a bounty hunter named Bolok (voiced by Billy West). Development of the game initially began at Gaumont through Gaumont Multimédia before the studio was shut down by Gaumont in 1999, and it was originally slated for release in December 1999.[4]
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Broadcast and home media
On top of airing on France 3, it also debuted in the same year in Germany on ProSieben, and aired in Canada on Teletoon. In the UK, the first season premiered worldwide on Fox Kids on August 31, 1997[5] and 3 weeks later on Channel 4 on September 21, 1997,[6] both under the show's original title of Home to Rent. The second season premiered under the series' final name on Nicktoons UK on November 5, 2005 at 9:30 AM. Furthermore, the first season aired as part of the Fox Kids lineup on Fox in the United States.[7]
Of the more notable physical releases, three VHS tapes (entitled Alien Antics, Cartoon Tales and Animal Crack-Ups) of the series were released in the U.S. on August 11, 1998. The complete series (in 2 season sets) was also released in France on June 13, 2011.
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In other media
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A film adaptation for the show titled Stupid Invaders was planned, but was never released for reasons unknown – what only remained was a short video posted online. The cast of the original show reprised their roles for the main characters (sans Stereo). It was a CGI-animated adaptation of the show, where the four aliens (Etno, Candy, Gorgious and Bud) have ended up accidentally crash landing into someone else's house. Said house is revealed to be inhabited by an unnamed brunette girl, who gets curious upon her sight of the aliens.
References in other Xilam properties
The main characters make several cameos in some of Xilam's other TV shows. It should be noted most of these references took place in the mid-2000s, when the second season was airing.
- In Oggy and the Cockroaches:
- In earlier seasons, the interior of Oggy's house features a framed picture of the main cast of aliens from just the first season. These were removed in the remade episodes.
- A miniature version of the house for rent is seen and utilized in the episode "Baby Doll" (from its first season) and its remake.
- The characters also made a cameo in the episode "Night Watchmen" (from its third season), where the titular characters end up transforming into the four aliens (as a gag) in one scene.
- In Shuriken School: The Ninja's Secret, a picture of Candy is on the cover of Jimmy B.'s manga, Star Attacks, a parody of the Star Wars franchise.
- In the film Go West! A Lucky Luke Adventure, a scene featuring Roger and the cockroaches (Dee Dee, Marky and Joey from Oggy) has him mention "monster men", which may be a reference to the show's theme.
- In The Daltons episode "The Secret Passage", Candy was one of Joe's transformations in Fort Dalton.
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References
External links
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