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Steven Cramer

American poet From Wikipedia, the free encyclopedia

Steven Cramer
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Steven Cramer (born July 24, 1953 Orange, New Jersey) is an American poet.

Quick Facts Born, Occupation ...
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Life

He graduated from Antioch College, and University of Iowa.[1]

He taught at Bennington College, Boston University, Massachusetts Institute of Technology, and Tufts University. He teaches at Lesley University.[2][3]

His work appeared in Antioch Review,[4] The Atlantic Monthly, The Nation, The New Republic, The Paris Review,[5] Partisan Review, Poetry, Triquarterly, and New England Review.

Family

He lives with his wife, Hilary, in Lexington, Massachusetts.[6]

Awards

  • 2014 Massachusetts Cultural Council Artist Fellowship
  • 2005 Sheila Motton Prize from the New England Poetry Club, for Goodbye to the Orchard
  • 2005 Honor Book in Poetry by the Massachusetts Center for the Book, for Goodbye to the Orchard
  • 2005 L.A. Times Book Prize Nominee, for Goodbye to the Orchard
  • 1984 National Endowment for the Arts Fellowship
  • 1983 Massachusetts Artists Foundation Fellowship

Works

  • The Eye that Desires to Look Upward. Galileo Press. 1987. ISBN 978-0-913123-11-9.
  • The World Book. Copper Beech Press. 1992. ISBN 978-0-914278-59-7.
  • Dialogue for the Left and Right Hand. Lumen Editions. 1997. ISBN 978-1-57129-033-5.
  • Goodbye to the Orchard. Sarabande Books. 2004. ISBN 978-1-932511-05-5.
  • Clangings. Sarabande Books. 2012. ISBN 978-1-936747-46-7.[7]
  • Listen . MadHat Press. 2020. 978-1-952335-08-2[8]
  • Departures from Rilke. Arrowsmith Press. 2023. ISBN 979-8-9879241-2-9

Reviews

  • Departures from Rilke is so many things: reenactments that verge on translation, the choreography of a poetry known so deep in the bones that it dances in the writer’s living room, a sort of thrashing with the original as Steven Cramer wrests Rilke into the 21st century. This book allows us to experience the poet’s mind shaped by a lifetime of inhabiting a set of poems that have provided specific and transcendent instruction to so many writers. That is why I find this book so very personal, unique, and delightful.”—Cate Marvin
  • “This is what Rilke might have composed had he been born in the United States and been thoroughly conversant in the trends of contemporary poetics . . . so that each poem’s intention gains tremendous immediacy.  [Cramer has] carried Rilke—not from German into English—but from one consciousness into another, to breathe in our atmosphere.”—Steven Ratiner, Red Letter Poems
  • “In his sixth collection of poetry, Steven Cramer, founder of the Lesley University MFA program, looks at and through the fogs of memory and depression. In Listen, Cramer tries to distill a ‘bedlam of thought.’ He is, by turns, matter of fact, nailing the sometimes-funny sometimes-sad absurdity of the world. . . [a]nd warmly sensual.”—Nina McLaughlin, The Boston Globe
  • “Wrenched word combinations arise out of using sound in this way: Obituary magi, greener chameleon, turquoise girls, blue-sprained boys, head’s high beams, glittering snow loaves, glister of venom, seraph cigarette . . . combinations that make our hearts beat faster, our synapses glow.”—Trena Machado, New Pages
  • “[Clangings is] one of our favorite poetry books of 2012”—Memorious
  • “Clangings is more than wordplay and clever riffs. . . . Language separates us, language connects us—our demise, our opportunity. Cramer’s book brings us full circle to self—who am I without language? Clangings reverberates.”—Lisa C. Krueger, Poets’ Quarterly 
  • "Steven Cramer's fourth book of poems, Goodbye to the Orchard, provides page after page of graceful inquisition and controlled musicality."—Shrode Hargis, Harvard Review
  • "Cramer’s poems fight sentiment with our only available weapons: knowledge and integrity."—H.L. Hix, Ploughshares

Anthologies

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References

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