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Swaha (film)

2024 Indian film From Wikipedia, the free encyclopedia

Swaha (film)
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Swaha (English: In the Name of Fire) is a 2024 Magahi feature film directed by Abhilash Sharma.[1] The film tells tells a dark and emotional story of a woman struggling to feed her newborn while living in a hut in a deserted space.[2] It got official selections at 26th Shanghai International Film Festival 2024, International Film Festival of Kerala 2024, Lucca Film Festival, ImagineIndia International Film Festival 2024, 2nd Eikhoigi Imphal International Film Festival and Ajanta-Ellora International Film Festival 2025.[3][4][5][6]

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Plot

Set in the rural east Indian state of Bihar, the film follows a family whose members were quite unlucky to be born into the Dalit caste. The determined mother, abandoned by her husband, ventures out on a quest for a meager living. She fights societal challenges to feed her child. She confronts the chilling belief that her husband's return demands a sacrifice - her most cherished essence, entangled with mystical whispers.[7]

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Cast

  • Chandra Shekhar Dutta as Nehura, Crematory worker
  • Satya Ranjan as Phekan
  • Sonalli Sharmisstha as Rukhia
  • Buloo Kumar as Choudhri
  • Kunal Kumar as Bablu
  • Ravi Kumar
  • Sarbind Kumar as Crematorium Manager
  • Sriparna Chakrobothy as Woman on Train

Release

Swaha had its World Premiere at the Shanghai International Film Festival 2024, China in the Asian New Talent Competition section.[8] It was showcased at the 30th Kolkata International Film Festival on 5 December 2024 in the Unheard India: Rare Language Films section.[9] The film was screened at the 29th International Film Festival of Kerala on 15, 17 and 19 December 2024.[10][11][12]

Reception

Marko Stojiljković of Asian Movie Pulse reviewed, "Swaha: In the Name of Fire seems like a social, to a point even anthropological study that tries to pose as an artsy fiction film. It is certainly a well crafted, demanding watch, but the question is whether it is also a rewarding one."[13] Nandini Ramnath of Scroll observed, "A miserabilist air hangs over the film as does a cruel fog. Never is the suggestion that the characters are trapped by circumstances stronger than in Rukhiya's experience. The section of the plot revolving around Rukhiya, although well-intended, is heavy-handed and descends into melodrama."[14]

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Accolades

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References

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