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Tell It Like a Woman
2022 American-Italian anthology film From Wikipedia, the free encyclopedia
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Tell It Like a Woman is a 2022 anthology film of seven short stories directed by women. It was filmed in different parts of the world.[1]
The film received a nomination at the 95th Academy Awards for Best Original Song for "Applause" by Diane Warren.[2]
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Premise
Tell It Like a Woman is a feature film composed of seven short stories whose common denominator is the representation of female protagonists. Each of these very different women faces a particular challenge in their life with extreme determination and courage that makes them stronger and more self-aware. Some of these inspirational and empowering stories, which take place all over the world, are inspired by true events, while others are narrative fiction.[3]
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Cast
- Cara Delevingne as Validation
- Marcia Gay Harden as Dr. Susan Partovi
- Eva Longoria as Ana
- Jennifer Hudson as Kim Carter / Pepcy
- Margherita Buy as Diana
- Anne Watanabe as Yuki
- Danielle Pinnock as Debra
- Leonor Varela as Tala
- Nate' Jones as Evelyn
- Pauletta Washington as Laurie Traynor
- Jacqueline Fernandez as Divya
- Jesse Garcia as Johnny
- Alex Bentley as Javi
- Jennifer Ulrich as Greta
- Katia Gomez as Maricela Lopez
- Katie McGovern as Teresa
- Brandon Win as Jack
- Ayesha Harris as Phyllis
- Gabriel Ellis as Ray
- Jasmine Luv as Tamika
- Holly Gilliam as Gallery Manager (voice)
- Iacopo Ricciotti as Edoardo
- Sergio Allard as Assistant
- Freddy Drabble as Tony
- Flaminia Sartini as Nora
- Anjali Lama as Anjali
- Andrea Vergoni as Marco
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Production
The film was shot in India, Italy, Japan, and the United States.[4][5][6]
Release
The film premiered at the Taormina Film Fest (TFF), where it won the TFF Excellence Award.[7]
It arrived on VOD platforms, including Google Play, Prime Video and Vudu, on February 17, 2023.[3]
Reception
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Critical
Writing for The Austin Chronicle, Jasmine Lane gave a positive review and wrote: "Though I would've liked to see these shorts plunge more deeply into the abstract concept of what it means to tell a story not just as a woman or about a woman but in a way only a woman can, in a world that seems increasingly determined to reduce the breadth of feminine identity to a singular biological imperative, these shorts feel triumphant".[8] Conversely, Leslie Felperin of The Guardian wrote a negative review, with 2 out of 5 stars, writing: "[Cara] Delevingne is pretty good and Mipo O's story of a single mother struggling to stay afloat has impact – but most are on a spectrum between insipid and awful."[9]
Accolades
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References
External links
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