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The Bear season 4
Season of television series From Wikipedia, the free encyclopedia
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The fourth season of the American comedy-drama television series The Bear premiered with all 10 episodes on June 25, 2025, on FX on Hulu. Christopher Storer and Joanna Calo return as showrunners for the season. Jeremy Allen White reprises his role as Carmy Berzatto, an award-winning chef who returns to his hometown of Chicago to manage the chaotic kitchen at his deceased brother's sandwich shop.
Ebon Moss-Bachrach, Ayo Edebiri, Lionel Boyce, Liza Colón-Zayas, Abby Elliott, Matty Matheson, and Edwin Lee Gibson return from the previous season as the supporting cast. In March 2024, FX renewed The Bear for a fourth season, which began filming with the third season in February 2024, and was completed in early 2025. The season premiered to positive reviews from critics, though reception was more muted than prior seasons.
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Cast and characters
Main
- Jeremy Allen White as Carmen "Carmy" Berzatto
- Ebon Moss-Bachrach as Richard "Richie" Jerimovich
- Ayo Edebiri as Sydney "Syd" Adamu
- Lionel Boyce as Marcus Brooks
- Liza Colón-Zayas as Tina Marrero
- Abby Elliott as Natalie "Sugar" Berzatto
- Matty Matheson as Neil Fak
- Edwin Lee Gibson as Ebraheim
Recurring
- Jamie Lee Curtis as Donna Berzatto[1]
- Molly Gordon as Claire Dunlap[2]
- Gillian Jacobs as Tiffany "Tiff" Jerimovich
- Will Poulter as Luca[3]
- Rob Reiner as Albert Schnur
- Corey Hendrix as Gary "Sweeps" Woods[1]
- Oliver Platt as Jimmy "Cicero" Kalinowski[2]
- Sarah Ramos as Jessica[4]
- Andrew Lopez as Garrett[4]
- Rene Gube as Rene[4]
- Ricky Staffieri as Theodore Fak
- Christopher Zucchero as "Chi-Chi"
- Paulie James as Chuckie
- Chris Witaske as Pete Katinsky
- Robert Townsend as Emmanuel Adamu
- Carmen Christopher as Chester
Guest
- Jon Bernthal as Michael Berzatto
- Brian Koppelman as Nicholas "The Computer" Marshall
- Mitra Jouhari as Kelly
- Alpana Singh as herself
- Gary Janetti as Mr. Clark
- Danielle Deadwyler as Chantel
- Arion King as TJ
- Kate Berlant as Georgie
- David Zayas as David[1]
- Josh Hartnett as Frank
- Brie Larson as Francie Fak
- John Mulaney as Stevie
- Sarah Paulson as Michelle Berzatto
- Bob Odenkirk as "Uncle" Lee Lane
- Annabelle Toomey as Eva Jerimovich
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Episodes
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Production
Development
In March 2024, preceding the release of the third season, it was announced that FX had secretly renewed The Bear for a fourth season. The season was announced to be filming back-to-back with the third season.[5]
Writing
Cast members Ayo Edebiri and Lionel Boyce co-wrote an episode in the fourth season, marking both their writing debuts on the series. Edebiri previously directed the third season's "Napkins".[6]
Filming
Parts of the fourth season were filmed with the third season, beginning in February 2024, with production set to restart in 2025.[7][8] John Landgraf, chairman of FX Networks, commented about the filming after the 2024 Emmys, saying "We finished most of it. We haven't finished all of it, but we finished most of it, and it will be ready same time next year."[9] Landgraf had stated that the combined filming schedule had resulted in around sixteen and a half episodes completed between the two seasons.[10] Main star Jeremy Allen White stated in an interview with Esquire UK that filming was expected to take place in February or March 2025.[11] Filming took place in Chicago,[12][13] and wrapped in early 2025.[14]
Release
The fourth season of The Bear premiered on June 25, 2025, on Hulu and Disney+.[15]
Reception
Summarize
Perspective
On Rotten Tomatoes, 85% of 78 critics gave the fourth season a positive review. The website's critics consensus reads, "After simmering for too long, The Bear's fourth season finally turns the heat back up with a renewed sense of urgency, serving a rich meal despite tiresome wait times between courses."[16] Metacritic assigned it a weighted average score of 73 out of 100 based on 38 reviews.[17] It is the lowest-rated season of the series on either site.[18]
Allison Herman of Variety called the season a "marked improvement" over the third, but added that "'better' isn't quite the same as 'enough to make the payoff worth the slog'." She praised the season's renewed focus on supporting characters neglected in the previous season, but wrote, "Season 4 can feel less like a cohesive statement in its own right than a sort of do-over, circling back to fill in gaps and pick up pieces that should've been addressed by now."[19] Judy Berman of Time, meanwhile, found the season "just as inert" as the third, calling it "formless" and criticizing its emphasis on "quiet solo scenes" and "earnest two-handers" that feel "remarkably similar to one another". She lamented the series' overall shift from "humor and wonder and angst" to "relentless solemnity" in the third and fourth seasons.[20] Liam Matthews of TheWrap praised season 4's performances and named the fourth and seventh episodes as standouts, but similarly criticized the story as shapeless and lacking in payoff, writing, "its overemphasis on character and vibe at the expense of narrative momentum leaves it repetitive and flabby."[21] Richard Lawson of Vanity Fair praised the season's few moments of "effective growth" but also criticized its repetitive storyline and lack of character development, adding that the show's "stillness"..."makes for fatally inert television".[22] Angie Hahn of The Hollywood Reporter described the season as "muted" and felt the show "retreat[ing] into familiar territory", writing that the season "has the feel of a show burnt out from the effort of trying to outdo itself."[23]
Ben Travers of IndieWire wrote, "season 4 is still pretty fun; an emotionally rich restaurant drama with great food, a few laughs, and lots of heart. Seen another way, though, and it's our second straight disappointment; a prolonged story propped up by its talented cast and dragged out for reasons that remain unclear."[24] Jack Seale of The Guardian was more positive, writing that the show has "outgrown the 'Yes, chef!' rages and screaming matches in the pantry and morphed into something more tender, beautiful – and endlessly moving."[25] Alan Sepinwall of Rolling Stone agreed, describing the season as "tense" and "heartwarmingly chaotic" and that it returns to "satisfying form".[26] Sophie Gilbert of The Atlantic also positively reviewed the season, feeling it represented "progress, and forward momentum, and the impossible optimism of people changing for the better." She praised the season's emphasis on personal growth, writing, "after the slow-drip, languorous suffering of Season 3, it's thrilling to see the characters and the action move so purposefully and gratifyingly forward."[27] Tara Bennett of IGN also described the season as a return to form, similarly praising its more "interior" stakes and intimate tone. She felt the season worked as a conclusion to the series, writing, "whether or not it's the series finale, it attains that special alchemy of satisfying closure while leaving plenty leftover for audiences to ponder about where these characters go next."[28]
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References
External links
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