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The Cardinal
1963 film by Otto Preminger From Wikipedia, the free encyclopedia
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The Cardinal is a 1963 American drama film produced independently, directed by Otto Preminger and distributed by Columbia Pictures. The screenplay was written by Robert Dozier, based on the novel by the same by Henry Morton Robinson. The music score was written by Jerome Moross.
The film's cast features Tom Tryon, Romy Schneider and John Huston, and it was nominated for six Academy Awards. It marks the final appearance by veteran film star Dorothy Gish, as well as the last big-screen performance of Maggie McNamara.
The film was shot on location in: Rome, Vienna, Boston and Stamford, Connecticut.
Robinson's novel was based on the life of Francis Cardinal Spellman, who was then Archbishop of New York. The Vatican's liaison officer for the film was Rev. Dr. Joseph Ratzinger,[2] later to become Pope Benedict XVI. The story touches on various social issues, such as: interfaith marriage, sex outside marriage, abortion, racial bigotry, the rise of fascism and war.
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Plot
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The film is shown as a series of memory flashbacks during a formal ceremony where the protagonist is instituted as a cardinal.
A newly ordained Irish Catholic priest, Stephen Fermoyle (Tom Tryon), returns home to Boston in 1917. He discovers that his parents are upset about daughter Mona (Carol Lynley) having become engaged to marry a Jewish man, Benny Rampell (John Saxon). Stephen and his Irish Catholic family will only permit Mona to marry Benny if he becomes a Catholic or agrees to raise any children as Catholic, as demanded by the papal bull Ne Temere (superseded in 1970). Benny does not agree and leaves to serve in World War I. Mona seeks Stephen's counsel as a priest. After he tells her to give Benny up, she runs away and becomes promiscuous.
Concerned about the young priest's ambition, the Archbishop of Boston (John Huston) assigns Stephen to an out-of-the-way parish where it is hoped that he will learn humility. There he meets the humble pastor, Father Ned Halley (Burgess Meredith), and Fermoyle observes the unpretentious way in which he lives his life and treats his parishioners. Father Halley is very sick with multiple sclerosis. Fermoyle learns humility from him and his housekeeper, Lalage (Jill Haworth).
Meanwhile, Mona becomes pregnant out of wedlock. Stephen, his brother and Benny find Mona in agony because her pelvis is too small for a large baby. She is taken to the hospital, where the doctor tells Stephen that it is too late to perform a caesarean section and in order to save Mona, the head of the baby must be crushed. Stephen will not allow the doctor to do so, because according to Catholic doctrine, the baby may not be killed. Mona dies giving birth to the child, Regina.
Racked with guilt over the death of his sister, Stephen suffers a crisis of faith, so he is transferred to Europe and made a monsignor, but he is unsure of how committed he is to a life in the clergy, and he travels to Vienna, taking a two-year sabbatical by working as a lecturer. There he meets and enters into a relationship with a young woman, Annemarie (Romy Schneider). Stephen does not violate his vows.
Stephen's vocation calls him back to Rome and the church. The Vatican returns him to the United States on a mission in the American South to assist a black priest named Father Gillis (Ossie Davis) who is opposed by the Ku Klux Klan. After successfully handling the assignment, Stephen is consecrated as a bishop, with Father Gillis present for the consecration.
Stephen is sent back to Austria to persuade a cardinal not to cooperate with the Nazi government, with a threat of a world war looming over all. He and the cardinal ultimately must flee for their lives. He manages to see Annemarie one last time after she has been imprisoned by the Nazi authorities. After the success of the missions on which the Vatican had sent him, he is elevated to the College of Cardinals.
On the eve of World War II, a ceremony is held in which Stephen formally becomes a cardinal. He warns about the dangers of totalitarianism and pledges to dedicate the rest of his life to his work.
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Cast
- Tom Tryon as Stephen Fermoyle
- Carol Lynley as Mona Fermoyle / Regina Fermoyle
- Dorothy Gish as Celia Fermoyle
- Maggie McNamara as Florrie Fermoyle
- Bill Hayes as Frank Fermoyle
- Cameron Prud'Homme as Din Fermoyle
- Romy Schneider as Annemarie von Hartmann
- Peter Weck as Kurt von Hartmann
- Cecil Kellaway as Monsignor Monaghan
- Ossie Davis as Father Gillis
- Loring Smith as Cornelius J. Deegan
- John Saxon as Benny Rampell
- James Hickman as Father Lyons
- Berenice Gahm as Mrs Ramble
- John Huston as Cardinal Glennon
- Jose Duvall (as Jose Duval) as Ramon Gongaro
- Peter MacLean as Father Callahan
- Robert Morse as Bobby and His Adora-Belles
- Burgess Meredith as Father Ned Halley
- Josef Meinrad as Cardinal Innitzer
- Erik Frey as Seyss-Inquart
- Wolfgang Preiss as SS major
- Jill Haworth as Lalage Menton
- Raf Vallone as Cardinal Quarenghi
- Tullio Carminati as Cardinal Giacobbi
- Arthur Hunnicut as Sheriff Dubrow
- Chill Wills as Monsignor Whittle
- Wolf Albach-Retty as Baron Hartmann[3]
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Background
The script was credited to Robert Dozier, but featured uncredited contributions by Ring Lardner Jr. who worked with Preminger in developing characterizations and story structure.[4] Saul Bass was not only responsible for designing the film's poster and advertising campaign, but also the film titles, during which Bass transforms a walk through the Vatican into an abstract play of horizontal and vertical lines.[5]
Release
The film had its world premiere at the Saxon Theatre in Boston, Massachusetts.[6] It was the first film to be shown in 70 mm despite being shot on 35 mm movie film for some roadshow releases, using a "print-up" (blow up) process.[7][8][9]
Reception
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Box-office performance
The Cardinal was the 18th highest-grossing film of the year. It grossed $11,170,588 in the United States,[1] earning $5.46 million in domestic rentals.[10]
Critical reception
On the review aggregator website Rotten Tomatoes, 47% of 15 critics' reviews are positive, with an average rating of 5.9/10.[11]
Accolades
Honors
The film was nominated by the American Film Institute for its AFI's 100 Years of Film Scores list.[15]
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Preservation
The Cardinal was preserved by the Academy Film Archive in 2012.[16]
See also
Notes
- The film won this category (marking the third time, following East of Eden and Spartacus), and (to date) a film to win the category without later being nominated for the Academy Award for Best Picture.
References
External links
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