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The Dead Man and Being Happy

2012 film From Wikipedia, the free encyclopedia

The Dead Man and Being Happy
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The Dead Man and Being Happy (Spanish: El muerto y ser feliz) is a 2012 road movie directed by Javier Rebollo [es] and written by Lola Mayo [ca], Rebollo, and Salvador Roselli which stars José Sacristán and Roxana Blanco. It is a Spanish-French-Argentine co-production.

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Plot

The plot follows Santos, a terminally-ill Spanish hitman living in Argentina who starts a travel to the north of the country for a last job.[1]

Cast

Production

The film is a Spanish-Argentine-French co-production by Eddie Saeta, Icónica, Lolita Films, Noodles Productions and Utópica and it had the participation of TVC and backing from ICEC, INCAA, and SOFICA.[3][4]

Release

The film was presented at the 60th San Sebastián International Film Festival on 23 September 2012.[5] Distributed by Catalan outfit Splendor Films,[6] it was released theatrically in Spain on 11 January 2013.[2]

Reception

Neil Young of The Hollywood Reporter wrote that Rebollo "just about manages to keep the right side of the line dividing the engagingly offbeat from the self-regardingly clever-clever".[7]

Fionnula of Halligan ScreenDaily undercored that "rarely laugh-out-loud, The Dead Man And Being Happy is nonetheless a warmly funny film".[8]

Matthew Connolly of Slant Magazine wrote that the film "feels like a connect-the-dots film with a few lines artfully blurred".[9]

Sergio F. Pinilla of Cinemanía rated the film 4 out of 5 stars, deeming it to be "one of the most exciting and radical adventures of recent Spanish cinema".[6]

Javier Porta Fouz of La Nación gave the film a 'good' rating, pointing out that even its intrigue becomes progressively diluted, by the time the denouement comes viewers confirm that "the characters have been guided with a strange sense of humor and responsibility, with a welcome affection".[10]

Gaspar Zimerman of Clarín gave the film a 'good' rating, writing that Sacristán "manages to give shape to a credible and lovable creature".[11]

Carlos Boyero of El País only recognized one virtue in the film, being "that it only lasts 90 minutes".[12]

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Accolades

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See also

References

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