Top Qs
Timeline
Chat
Perspective
The Funky Headhunter
1994 studio album by Hammer From Wikipedia, the free encyclopedia
Remove ads
The Funky Headhunter is the fifth studio album by American rapper Hammer, released on March 1, 1994, via Giant Records and Reprise Records.
The album at the time was hailed as Hammer's comeback album. As with some earlier songs such as "Crime Story" (from the album Please Hammer Don't Hurt 'Em),[2] the content and reality about "street life" remained somewhat the same, but the sound was different, resulting in Hammer losing favor with fans.[citation needed] Nonetheless, the record was eventually certified platinum.[3]
Remove ads
Album history
Summarize
Perspective
Hammer debuted the album and video for "Pumps and a Bump" two months before its release on The Arsenio Hall Show and finally released it in March. Talk show host Arsenio Hall said to Hammer, "Women in the audience want to know, what's in your speedos in the 'Pumps and a Bump' video?" A clip from the video was then shown, to much approval from the audience. Hammer didn't give a direct answer but instead laughed. Arsenio then said, "I guess that's why they call you 'Hammer.' It ain't got nothin' to do with Hank Aaron" (which refers to the fact that Hammer was nicknamed after Aaron).[4]
"Pumps and a Bump" proved to be a controversial track on this album, somewhat affecting Hammer's image. However, the single peaked at number three on the US Rap charts. It was banned from heavy rotation on MTV with censors claiming that the depiction of Hammer in Speedos was too graphic. This led to an alternative video being filmed (with Hammer fully clothed) that was directed by Bay Area native Craig S. Brooks.
"It's All Good", produced by The Whole 9, was the second single released on this album, and peaked on the record charts as follows: US number 46, US R&B number 14, US Rap number three and UK number 52.
This album peaked at number two on the R&B charts and remained in the Top 30 midway through the year.[4] The album eventually reached number 12 on the Billboard 200 chart[5] The album managed to become certified platinum.
Remove ads
Critical reception
Summarize
Perspective
AllMusic writer Ron Wynn said about the album overall: "Hammer's sound was leaner, his rapping tougher and more fluid, and his subject matter harder and less humorous."[6] Dennis Hunt of the Los Angeles Times felt that Hammer had "zero feel" for his choice in subgenre, but praised the record's "smashing beats" and highlighted "Don't Stop" for being "unbelievably funky".[8] Vibe contributor Charles Aaron called it "one of the most stunning curios of pop marketing hubris ever perpetrated", criticizing Hammer's half-hearted attempts at dissing other rappers, and the tracks for utilizing the overused G-funk sound and lacking lyrical substance or even "a nifty turn of phrase."[11] In a 2020 retrospective review, Steve 'Flash' Juon of RapReviews was critical of Hammer's offbeat flow delivering bars with an overabundance of syllables, lack of curses and swear words despite the image change, and constant references to his previous pop success, but conceded that the overall production was actually good, calling it "a 1990's collision between Teddy Riley and Warren G and it works perfectly." He concluded that: "I can't deny the transformation is comical, but it's also not as terrible as first I thought."[9]
Remove ads
Track listing
Summarize
Perspective
Information taken from Amazon.com, Apple Music and Spotify.[12][13][14]
Samples
Break 'Em Off Somethin' Proper
- "So Ruff, So Tuff" by Roger Troutman
- "Stay" by Jodeci
- "Check the Rhime" by A Tribe Called Quest
Don't Fight the Feelin'
- "Person to Person" by Average White Band
Don't Stop
- "Funkin' for Jamaica (N.Y.)" by Tom Browne
- "Der Kommissar" by Falco
- "Atomic Dog" by George Clinton
- "La Di Da Di" by Doug E. Fresh
It's All Good
- "Dusic" by Brick
- "Hobo Scratch" by Malcolm McLaren
Oaktown
- "More Bounce to the Ounce" by Zapp
- "Get It Up" by The Time
Pumps and a Bump
- "Atomic Dog" by George Clinton
Somethin' for the O.G.'s
- "Dance Floor" by Zapp
- "Atomic Dog" by George Clinton
Remove ads
Personnel
Adapted from the liner notes of The Funky Headhunter.[15]
- Wilton Rabb – guitar (tracks 8, 11–14)
- Ben Ross – bass (track 14)
- Eddy Schreyer – mastering (Future Disc, Los Angeles)
- Nancie Stern, Mary-Jo Braun – sample clearance assistance (Music Resources)
- Kevin Design Hosmann – art direction
- Michael Miller – photography
- Madame Mack Style – stylist
Charts
Certifications
References
Wikiwand - on
Seamless Wikipedia browsing. On steroids.
Remove ads