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The Killing Jar (1997 film)

1997 American film From Wikipedia, the free encyclopedia

The Killing Jar (1997 film)
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The Killing Jar is a 1997 American horror thriller film directed by Evan Crooke and written by Mark Mullin. The film stars Brett Cullen, Tamlyn Tomita, Wes Studi and Xander Berkeley.

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Plot

Michael Sanford (Brett Cullen) relocates to his old town to manage the family business, taking his wife Diane (Tamlyn Tomita) with him. However, the community is soon gripped by fear as a series of child murders unfold. Michael's strange behavior makes Diane suspect his involvement in these murders.

Cast

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Production

The film was an independent production,[2][3] and director Evan C. Crooke's first film.[3] Crooke was only in his mid-20s when he made The Killing Jar,[4] having a few years earlier graduated from the University of Tampa (UT).[4] Crooke struggled with dyslexia, and was guided through university by UT director of admissions Bob Cook, who himself overcame learning difficulties when he was younger.[4] Cook died in a pedestrian accident a week before The Killing Jar began shooting, and the film would end up being dedicated to him.[4] Shooting occurred around Los Angeles, California.

The Killing Jar was a success for Crooke, and became the impetus for him to start his own film company, Osirisent.[2]

Release and reception

In the United States, The Killing Jar was released direct-to-video on May 27, 1997 by A-Pix Entertainment. It was also released on video in several European countries that year, as well as in India and Malaysia.[4] The international distribution of the film was handled by Curb International.[4]

On June 11, 1997, a LaserDisc was released in the United States. The LaserDisc release was handled by Image Entertainment, who did numerous other releases on the format.[5] In 1998, the film was released on DVD by Simtar Entertainment.[6] It is currently available on digital platforms Amazon Prime,[7] Apple TV[8] and Tubi.[9]

The film received a two out of five star rating on AllMovie.[10] It has retrospectively been described as being part of a wave of serial killer-focused films from the 1990s.[11]

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References

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