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Three-60
2013 Spanish film From Wikipedia, the free encyclopedia
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Three-60 (Spanish: Tres 60) is a 2013 Spanish mystery thriller film directed by Alejandro Ezcurdia (in his directorial debut feature) from a screenplay by Luiso Berdejo, who is also the co-producer. The film stars Raúl Mérida alongside Guillermo Estrella, Sara Sálamo, and Joaquim de Almeida.
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Plot
The plot is set against the backdrop of surf culture.[1] Upon finding a set of photographs featuring long-missing friend Iván, young surfer Guillermo teams up with younger brother Mario, Fine Arts student Daniela and pal "El Ruso" to crack the mystery, involving a sinister commercial cartel.[2][3]
Cast
- Raúl Mérida as Guillermo[4]
- Guillermo Estrella as Mario[4]
- Sara Sálamo as Daniela[4]
- Joaquim de Almeida as Alberto Ibarguren[4]
- Adam Jezierski as Ruso[4]
- Geraldine Chaplin as Jean Christophe[4]
- Carolina Ferre as madre[4]
- Marta Martín as Maria Victoria[4]
Production
The screenplay was penned by Luiso Berdejo.[3] The film is a Bowfinger International Pictures, Atresmedia Cine, and Zinea Sortzen production with the participation of Antena 3 TV, ETB, ONO, Canal+ and La Sexta and backing from the Basque Government and Ayuntamiento de Donostia.[5] Shooting locations included the Aiete Palace and Zurriola Beach in San Sebastián.[6]
The sex scene between Raúl Mérida and Sara Sálamo was shot three months after the main filming had finished, because the production company wanted a different ending. The actress accepted without problems but later revealed that the experience was very unpleasant.[7]
Release
Distributed by Warner Bros.,[5] the film was released theatrically in Spain on 26 July 2013.[8]
Reception
Fausto Fernández of Fotogramas rated the film 3 out of 5 stars, deeming it to be a "a summer adventure of mystery, suspense and tension", "that puts all the infallible Hitchcockian arsenal at the service of a teen movie with a child sidekick".[9]
Andrea G. Bermejo of Cinemanía rated the film 3 out of 5 stars, writing that although a thriller connoisseur "might dismiss [the film] as flat, we should not forget the [young] audience it appeals to", and, seeing it this way, "it is even formative".[10]
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See also
References
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