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Tilang

Janya raga of Carnatic music From Wikipedia, the free encyclopedia

Tilang
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Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.[2][1][3]

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Scale

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This raga has a lowered seventh, (Hindi: कोमल नी, romanized: komala nī) in the descending scale.[2][1]

Its defining characteristics are: P  N   P, P  N  P  P. Some performers add a Re to create the following pattern:   N  P  P.

Vādī and Samvādī

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In Carnatic music

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This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]

Compositions

  • Shree Ganesha Charanam by Papanasam Sivan
  • Ramakrishnaru Manege, Tarakka Bindige and Dasara Nindisa Beda by Purandara Dasa
  • Satyavantara Sangaviralu by Kanaka Dasa
  • Shanthi Nilava Vendum by Sethumadava Rao
  • Prabho Ganapathe by Agastya
  • Thamarai Malar Ondru by Kavi Kannan
  • Jaya Vara Varini by U Ve Srinivasa Varadachariar
  • Maha Ganapathim by Dayanand Saraswati
  • Bandide Indu by KS Burli
  • Maha Ganapathe Namo Namo is a rare Bhajan
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Film songs

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Language : Hindi

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Tamil

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Language : Telugu

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Scale similarities

  • Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kaisiki Niṣāda (N2) in descending scale.
  • Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kakali Niṣāda (N3) in ascending scale.

Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.[2]

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Notes

  1. Alternate notations:
    • Hindustani: S G M P N 
    • Western: C E F G B C
  2. Alternate notations:
    • Hindustani:   P G S
    • Western: C B G F E C
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References

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