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Tilang
Janya raga of Carnatic music From Wikipedia, the free encyclopedia
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Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.[2][1][3]
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Scale
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This raga has a lowered seventh, Ṉ (Hindi: कोमल नी, romanized: komala nī) in the descending scale.[2][1]
Its defining characteristics are: P Ṡ N Ṡ Ṉ P, P Ṡ N Ṡ P Ṉ P. Some performers add a Re to create the following pattern: Ṡ Ṙ N Ṡ P Ṉ P.
Vādī and Samvādī
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In Carnatic music
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This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]
Compositions
- Shree Ganesha Charanam by Papanasam Sivan
- Ramakrishnaru Manege, Tarakka Bindige and Dasara Nindisa Beda by Purandara Dasa
- Satyavantara Sangaviralu by Kanaka Dasa
- Shanthi Nilava Vendum by Sethumadava Rao
- Prabho Ganapathe by Agastya
- Thamarai Malar Ondru by Kavi Kannan
- Jaya Vara Varini by U Ve Srinivasa Varadachariar
- Maha Ganapathim by Dayanand Saraswati
- Bandide Indu by KS Burli
- Maha Ganapathe Namo Namo is a rare Bhajan
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Film songs
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Language : Hindi
Tamil
Language : Telugu
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Scale similarities
- Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kaisiki Niṣāda (N2) in descending scale.
- Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kakali Niṣāda (N3) in ascending scale.
Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.[2]
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Notes
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References
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