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Tommaso Conca

Italian painter (1734–1822) From Wikipedia, the free encyclopedia

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Tommaso Maria Conca (17341822), was an Italian painter and draftsman, active mostly in Rome.

Biography

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Tommaso Conca was born in Gaeta, one of the youngest of some eleven siblings, to Giovanni Conca and Anna Laura Scarsella di Castro. His father was a painter and cousin to the more famous painter Sebastiano Conca;[1] the two were Tommaso's first teachers in Baroque painting.[2] In 1770, Tommaso was made member of Accademia di San Luca, Rome's guild of painters.

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Sacrifice to Silenus (177578)

From 1775 to 1782 he worked for Marcantonio Borghese, painting the ceilings of two rooms in the renovated Galleria Borghese, in collaboration with Giovanni Battista Marchetti.[1] In Sala del Sileno, above a Roman statue of Silenus he set scenes from that character, along with Bacchus and his followers.[3][4][5] In the Sala Egizia, dedicated to Egyptian sculpture, he represented the Nile, Cybele and astronomical bodies,[6] adorning the space between them with mock Egyptian idols;[7] on the walls he added eight scenes of Egyptian religion and the lives of Marcus Antonius and Cleopatra.[8]

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Apollo and the Muses (178287)

Between 1782 and 1787 Conca painted Apollo and the Muses, a fresco decorating Sala delle Muse,[9] a room in the papal Museo Pio-Clementino.[10] At the end of his life, he completed another fresco in the Vatican's Museo Chiaramonti, which celebrates the restitution of paintings that had been taken to Musée Napoléon.[11]

Following Anton Raphael Mengs he shifted to a Neoclassical style.[12] One of his pupils was Camillo Guerra.

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References

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