Traffic and Weather

Traffic and Weather is the fourth studio album by the American rock band Fountains of Wayne. It was released on Virgin Records in April 2007.

Traffic and Weather
Studio album by Fountains of Wayne
Released	April 3, 2007
Genre	Power pop[1]
Length	47:27
Label	Virgin
Producer	Adam Schlesinger
Fountains of Wayne chronology
Out-of-State Plates (2005) Traffic and Weather (2007) Sky Full of Holes (2011)

Background

While previous Fountains of Wayne albums saw lead singer Chris Collingwood and bassist Adam Schlesinger write songs separately then arrange them with the rest of the band, initial work on their fourth album saw them trying a new approach in which they wanted to get guitarist Jody Porter and drummer Brian Young more involved by jamming together at Bearsville Studios in Woodstock, New York. While it yielded many ideas, it didn't result in any finished songs.^[2] In the end, "Strapped for Cash" was the only song developed from the Bearsville sessions, as the band reverted to their usual methods.^[3] However, Collingwood was suffering from depression and alcoholism during the making of the album. As a result, he only penned three songs for it — "Fire in the Canyon", "Hotel Majestic" and "Seatbacks and Traytables" — while Schlesinger wrote the rest.^[4] (In a Lennon/McCartney-like arrangement, the writing of each individual song is still credited to both Collingwood and Schlesinger, even though both in fact write separately. However, for this album, the publishing credits tell the story — all songs are published by Schlesinger's company Vaguely Familiar Music, except for Collingwood's contributions, which are published by Collingwood's company Monkey Demon Music.)

Recording

Describing their process for the album, Schlesinger said, "We'll bring a song in, then Brian will come up with a feel for it, cut a basic track, then we'll spend a lot of time with Jody experimenting with different guitar parts. On this album more than any, you can really hear Jody's playing and the incredibly wide range that he's capable of."^[5]

The song "Someone to Love" includes backing vocals from former Smashing Pumpkins and Hole bassist Melissa Auf der Maur,^[6] "Fire in the Canyon" contains backing vocals from the Candy Butchers' Mike Viola, "Seatbacks and Traytables" features former Smashing Pumpkins guitarist James Iha, and "Strapped for Cash" features trumpeters Ronnie Buttacavoli and Scott Wendholt; the former trumpeter also plays on "Yolanda Hayes".

Reception

Professional ratings

Aggregate scores
Source	Rating
Metacritic	68/100[7]
Review scores
Source	Rating
AllMusic	[8]
Alternative Addiction	[9]
The Austin Chronicle	[10]
American Songwriter	[11]
Entertainment Weekly	B+[12]
MSN Music (Consumer Guide)	A[13]
Pitchfork	3.0/10[14]
PopMatters	8/10[15]
Rolling Stone	[16]
Stylus Magazine	D−[17]

The album was met with moderate commercial success and generally favorable reviews. It reached #97 on the Billboard 200 albums chart,^[18] and the song "I-95" was named #54 in Rolling Stone's's list of the 100 Best Songs of 2007.^[19] Blender described the album as having "more witty tales of confused young people caught between destinations".^[20]

Track listing

All tracks are credited to Chris Collingwood and Adam Schlesinger.

No.	Title	Writer(s)	Length
1.	"Someone to Love"	Schlesinger	3:53
2.	"'92 Subaru"	Schlesinger	3:13
3.	"Yolanda Hayes"	Schlesinger	4:01
4.	"Traffic and Weather"	Schlesinger	3:37
5.	"Fire in the Canyon"	Collingwood	2:47
6.	"This Better Be Good"	Schlesinger	3:04
7.	"Revolving Dora"	Schlesinger	2:42
8.	"Michael and Heather at the Baggage Claim"	Schlesinger	3:42
9.	"Strapped for Cash"	Schlesinger	3:31
10.	"I-95"	Schlesinger	3:08
11.	"Hotel Majestic"	Collingwood	3:28
12.	"Planet of Weed"	Schlesinger	2:46
13.	"New Routine"	Schlesinger	4:14
14.	"Seatbacks and Traytables"	Collingwood	3:31
15.	"Sense Into You" (Japan bonus track)		3:30
16.	"You Gotta Go" (Japan "Tour Edition" bonus track)		2:06

Personnel

Fountains of Wayne

• Chris Collingwood — lead vocals, rhythm guitar, banjo
• Adam Schlesinger — bass, rhythm guitar, keyboards, backing vocals, production
• Jody Porter — lead guitar, backing vocals
• Brian Young — drums, percussion

Additional musicians

• Melissa Auf der Maur — backing vocals on "Someone to Love"
• Ronnie Buttacavoli — trumpet on "Yolanda Hayes" and "Strapped for Cash"
• Scott Harrell — trumpet on "Strapped for Cash"
• James Iha — guitar on "Seatbacks and Traytables"
• Mike Viola — backing vocals on "Fire in the Canyon"
• Scott Wendholt — trumpet "Strapped for Cash"

Technical personnel

• Arjun Agerwala — assistant engineer
• Michael Brauer — mixing
• Cliff Burnstein — management
• Rudyard Lee Cullers — assistant engineer
• Shauna Haider — artwork, design
• John Holbrook — engineer
• Eiji Kikuchi — photography
• George Marino — mastering
• Peter Mensch — management
• Geoff Sanoff — engineer
• Ken Weinstein — publicity
• David Wolter — A&R

Quotes about the album

All quotes from Adam Schlesinger.

General

• "I don't think anybody is counting on us for another one [Stacy's Mom Standard Hit] of those. I hope not."^[20]
• "As usual, there are a lot of songs about transportation and travel."^[20]
• "Our goal is 12 units, then if we hit 13, it looks like a runaway success."^[20]
• "(Billy Corgan) was busy putting that other Smashing Pumpkins reunion together while we were working on this Smashing Pumpkins reunion on our record."^[21]

Songs

• "Someone to Love": "a little bit 'Eleanor Rigby'-esque, in that it's about these two lonely people living in New York. It has a disco-y beat, which is something we don't do a lot of. Melissa Auf der Maur sings backing vocals, and that's the first female vocal we've had since Dominique Durand from Ivy on the first album."^[22]
• "'92 Subaru": "It kind of sounds like The Doobie Brothers or Little Feat or something."^[22]
• "Yolanda Hayes": "About a woman who works at the DMV"^[22]

Recording

• "We had these grand ambitions to change our process, we went up to Woodstock and jammed, but in the end, only one thing from that session, 'Strapped for Cash,' turned into an actual song. For the rest of it, we went back to our usual method of writing on our own and bringing in a song to be arranged by everyone. Woodstock was good to get back together and loosen up, but I guess we're pretty set in our ways."^[22]